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One morning Philippe, the hotel proprietor, was trying to impress Brewster with a gesticulatory description of the glories of the Bataille de Fleurs. It seemed quite impossible to express the extent of his regret that the party had not arrived in time to see it. "This is quite another place at that time," he said ecstatically. "C'est magnifique! c'est superbe! If monsieur had only seen it!"

Ah! si vous l'aviez connu, vous auriez pleuré son sort il étoit un si bel homme! d'une taille superbe!" said our honest host, whose knowledge of Murat was probably confined to his soldier-like figure, and his desolate state: he could have been no judge of the small extent of Buonaparte's obligations to his brother-in-law, whose former defection was but repaid in kind.

At five minutes past four the enemy's three ships began their fire upon the 'Exeter, which was returned by her and her second ahead; the action became general from our rear to our centre, the commanding ship of the enemy, with three others of their second line, leading down on our centre, yet never advancing farther than opposite to the 'Superbe, our centre ship, with little or no wind and some heavy rain during the engagement.

When seven o'clock struck, Eustace and I, who had been entertaining the children in their mothers' absence, heard the sound of steps upon the stairs. The guests arrived, bringing their own risotto with them. Welcome was short, if hearty. We sat down in carefully appointed order, and fell into such conversation as the quarter of San Vio and our several interests supplied. From time to time one of the matrons left the table and descended to the kitchen, when a finishing stroke was needed for roast pullet or stewed veal. The excuses they made their host for supposed failure in the dishes, lent a certain grace and comic charm to the commonplace of festivity. The entertainment was theirs as much as mine; and they all seemed to enjoy what took the form by degrees of curiously complicated hospitality. I do not think a well-ordered supper at any trattoria, such as at first suggested itself to my imagination, would have given any of us an equal pleasure or an equal sense of freedom. The three children had become the guests of the whole party. Little Attilio, propped upon an air-cushion, which puzzled him exceedingly, ate through his supper and drank his wine with solid satisfaction, opening the large brown eyes beneath those tufts of clustering fair hair which promise much beauty for him in his manhood. Francesco's boy, who is older and begins to know the world, sat with a semi-suppressed grin upon his face, as though the humour of the situation was not wholly hidden from him. Little Teresa, too, was happy, except when her mother, a severe Pomona, with enormous earrings and splendid fazzoletto of crimson and orange dyes, pounced down upon her for some supposed infraction of good manners creanza, as they vividly express it here. Only Luigi looked a trifle bored. But Luigi has been a soldier, and has now attained the supercilious superiority of young-manhood, which smokes its cigar of an evening in the piazza and knows the merits of the different cafés. The great business of the evening began when the eating was over, and the decanters filled with new wine of Mirano circulated freely. The four best singers of the party drew together; and the rest prepared themselves to make suggestions, hum tunes, and join with fitful effect in choruses. Antonio, who is a powerful young fellow, with bronzed cheeks and a perfect tempest of coal-black hair in flakes upon his forehead, has a most extraordinary soprano sound as a bell, strong as a trumpet, well trained, and true to the least shade in intonation. Piero, whose rugged Neptunian features, sea-wrinkled, tell of a rough water-life, boasts a bass of resonant, almost pathetic quality. Francesco has a mezzo voce, which might, by a stretch of politeness, be called baritone. Piero's comrade, whose name concerns us not, has another of these nondescript voices. They sat together with their glasses and cigars before them, sketching part-songs in outline, striking the keynote now higher and now lower till they saw their subject well in view. Then they burst into full singing, Antonio leading with a metal note that thrilled one's ears, but still was musical. Complicated contrapuntal pieces, such as we should call madrigals, with ever-recurring refrains of 'Venezia, gemma Triatica, sposa del mar, descending probably from ancient days, followed each other in quick succession. Barcaroles, serenades, love-songs, and invitations to the water were interwoven for relief. One of these romantic pieces had a beautiful burden, 'Dormi, o bella, o fingi di dormir, of which the melody was fully worthy. But the most successful of all the tunes were two with a sad motive. The one repeated incessantly 'Ohimé! mia madre morì; the other was a girl's love lament: 'Perchè tradirmi, perchè lasciarmi! prima d'amarmi non eri così! Even the children joined in these; and Catina, who took the solo part in the second, was inspired to a great dramatic effort. All these were purely popular songs. The people of Venice, however, are passionate for operas. Therefore we had duets and solos from 'Ernani, the 'Ballo in Maschera, and the 'Forza del Destino, and one comic chorus from 'Boccaccio, which seemed to make them wild with pleasure. To my mind, the best of these more formal pieces was a duet between Attila and Italia from some opera unknown to me, which Antonio and Piero performed with incomparable spirit. It was noticeable how, descending to the people, sung by them for love at sea, or on excursions to the villages round Mestre, these operatic reminiscences had lost something of their theatrical formality, and assumed instead the serious gravity, the quaint movement, and marked emphasis which belong to popular music in Northern and Central Italy. An antique character was communicated even to the recitative of Verdi by slight, almost indefinable, changes of rhythm and accent. There was no end to the singing. 'Siamo appassionati per il canto, frequently repeated, was proved true by the profusion and variety of songs produced from inexhaustible memories, lightly tried over, brilliantly performed, rapidly succeeding each other. Nor were gestures wanting lifted arms, hands stretched to hands, flashing eyes, hair tossed from the forehead unconscious and appropriate action which showed how the spirit of the music and words alike possessed the men. One by one the children fell asleep. Little Attilio and Teresa were tucked up beneath my Scotch shawl at two ends of a great sofa; and not even his father's clarion voice, in the character of Italia defying Attila to harm 'le mie superbe citt

"Ah, madame, votre cuisine est superbe," exclaimed Monsieur Tagliabue, tucking the corner of his napkin into his button-hole, and making preparations for well filling his little rotundity. "Ve," replied Mrs Turnbull. "Mrs Peters, will you try the dish next Mr Turnbull? What is it?" Will you, my lord? If your lordship has not yet got into your French it means roast quarter of lamb."

"Let us see what the other casket contains before we lose our temper," said the Emperor, and then out came the little nightingale and sang so sweetly that at first nobody could think of anything to say against it." "Superbe, superbe," cried the ladies of the court, for they all chattered French, one worse than the other.

The appearance of la chere mamma beside the hissing tea-urn brought us both back to ourselves; and, after an hour's chatting, we wished good night, to start on the morrow for the continent. "Hotel de Bain, mi lor'." "Hotel d'Angleterre," said another, in a voice of the most imposing superiority. "C'est superbe pretty well."

These indications of my poverty will serve, as Montaigne says, 'mater ma superbe', and will always make me recollect the modesty in which the dignity of the lowly consists. I have stopped before the prints hanging upon the wall.

He ought to have been here before our two young people; and for some time past " Laure, who was afraid of being sent alone to the Place St. Eustache, answered that she was quite sure he had gone in, and continued: "Ombrose selve, ove'percote il sole Che vi fa co'suoi raggi alte a superbe." "Hum!" said the worthy old soldier, grumbling.

Instantly the silver laugh was set a-tinkling, and, with delightful gestures, Milord was led captive to the sofa. 'C'est l'aurore qui vient pour dissiper les brumes du matin, Mrs. Barton declared as she settled her skirts over her ankles. "Qu'elle est superbe en son désordre Quand elle tombe. . . ." 'Hush, hush! exclaimed Mrs.