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The impulse that had made them both break out into the cruel words came from some long-gathering bitterness, the very existence of which was like the end of all things to her. A single flash of lightning had showed her to the edge of what a terrifying precipice they had strayed, and then had left her in darkness.
"Why," his father said, "you are in your seventeenth year now. It is too late for you to die at sixteen," and all the long-gathering load of misery dropped from the boy's soul, and he lived till his seventeenth birthday and beyond it without further trouble. If he had known that he would be in his seventeenth year as soon as he was sixteen, he might have arranged his presentiment differently.
The long-gathering twilight deepened as the scows floated northward. Vermilion's face lost its scowl, and he smoked in silence a sinister figure, thought the girl, as he crouched in the bow, his dark features set off to advantage by his flaming head-band. Into the stillness crept a sound the far-off roar of a rapid.
It is the aged Titurel, whose resting-place is a recess behind the altar and the raised seat. There he is kept alive solely by the contemplation of the Grail, mystical means of life and strength. "Are you at your post? Shall I look upon the Grail once more and live?" But long-gathering despair to-day reaches its climax in Amfortas, at the necessity to perform the rite required.
It was in 1258, while Richard was gone to be crowned at Aix-la-Chapelle, that the long-gathering peril began to burst. There had been a severe famine, which added to the general discontent; and though Richard sent home forty vessels laden with corn, his absence was severely felt, and his mediation was missed.
The curses of the civilized world still pursued him, and in his retreat at Sans-Souci he had no rest; and hence he became irritable and suspicious. The clouds of the political atmosphere were filled with thunderbolts, ready to fall upon him and crush him at any moment; indeed, nothing could arrest the long-gathering storm. It broke out with unprecedented fury in the spring of 1756.
It may be readily imagined that Heine, with so large a share of the Gallic element as he has in his composition, was soon at his ease in Parisian society, and the years here were bright with intellectual activity and social enjoyment. “His wit,” wrote August Lewald, “is a perpetual gushing fountain; he throws off the most delicious descriptions with amazing facility, and sketches the most comic characters in conversations.” Such a man could not be neglected in Paris, and Heine was sought on all sides—as a guest in distinguished salons, as a possible proselyte in the circle of the Saint Simonians. His literary productiveness seems to have been furthered by his congenial life, which, however, was soon to some extent embittered by the sense of exile; for since 1835 both his works and his person have been the object of denunciation by the German governments. Between 1833 and 1845 appeared the four volumes of the “Salon,” “Die Romantische Schule” (both written, in the first instance, in French), the book on Börne, “Atta Troll,” a romantic poem, “Deutschland,” an exquisitely humorous poem, describing his last visit to Germany, and containing some grand passages of serious writing; and the “Neue Gedichte,” a collection of lyrical poems. Among the most interesting of his prose works are the second volume of the “Salon,” which contains a survey of religion and philosophy in Germany, and the “Romantische Schule,” a delightful introduction to that phase of German literature known as the Romantic school. The book on Börne, which appeared in 1840, two years after the death of that writer, excited great indignation in Germany, as a wreaking of vengeance on the dead, an insult to the memory of a man who had worked and suffered in the cause of freedom—a cause which was Heine’s own. Börne, we may observe parenthetically for the information of those who are not familiar with recent German literature, was a remarkable political writer of the ultra-liberal party in Germany, who resided in Paris at the same time with Heine: a man of stern, uncompromising partisanship and bitter humor. Without justifying Heine’s production of this book, we see excuses for him which should temper the condemnation passed on it. There was a radical opposition of nature between him and Börne; to use his own distinction, Heine is a Hellene—sensuous, realistic, exquisitely alive to the beautiful; while Börne was a Nazarene—ascetic, spiritualistic, despising the pure artist as destitute of earnestness. Heine has too keen a perception of practical absurdities and damaging exaggerations ever to become a thoroughgoing partisan; and with a love of freedom, a faith in the ultimate triumph of democratic principles, of which we see no just reason to doubt the genuineness and consistency, he has been unable to satisfy more zealous and one-sided liberals by giving his adhesion to their views and measures, or by adopting a denunciatory tone against those in the opposite ranks. Börne could not forgive what he regarded as Heine’s epicurean indifference and artistic dalliance, and he at length gave vent to his antipathy in savage attacks on him through the press, accusing him of utterly lacking character and principle, and even of writing under the influence of venal motives. To these attacks Heine remained absolutely mute—from contempt according to his own account; but the retort, which he resolutely refrained from making during Börne’s life, comes in this volume published after his death with the concentrated force of long-gathering thunder. The utterly inexcusable part of the book is the caricature of Börne’s friend, Madame Wohl, and the scurrilous insinuations concerning Börne’s domestic life. It is said, we know not with how much truth, that Heine had to answer for these in a duel with Madame Wohl’s husband, and that, after receiving a serious wound, he promised to withdraw the offensive matter from a future edition. That edition, however, has not been called for. Whatever else we may think of the book, it is impossible to deny its transcendent talent—the dramatic vigor with which Börne is made present to us, the critical acumen with which he is characterized, and the wonderful play of wit, pathos, and thought which runs through the whole. But we will let Heine speak for himself, and first we will give part of his graphic description of the way in which Börne’s mind and manners grated on his taste: “To the disgust which, in intercourse with Börne, I was in danger of feeling toward those who surrounded him, was added the annoyance I felt from his perpetual talk about politics. Nothing but political argument, and again political argument, even at table, where he managed to hunt me out. At dinner, when I so gladly forget all the vexations of the world, he spoiled the best dishes for me by his patriotic gall, which he poured as a bitter sauce over everything. Calf’s feet,
Add to these the long-gathering passion of the dispossessed clans in the north, and that floating element of disaffection always ready to stir, and it will be seen that the materials for a rebellion were ready laid, and needed only a spark to ignite them. As usually happens in rebellions the plans of the more prudent were thwarted by the impetuosity of the more violent spirits.
She stood immovable close to the grim old officer, and remained immovable close to him; remained immovable close to him through the streets, as Defarge and the rest bore him along; remained immovable close to him when he was got near his destination, and began to be struck at from behind; remained immovable close to him when the long-gathering rain of stabs and blows fell heavy; was so close to him when he dropped dead under it, that, suddenly animated, she put her foot upon his neck, and with her cruel knife long ready hewed off his head.
It was not until March that the long-gathering storm broke as quick as a crackling lizard of lightning strikes. Le Gros had foreclosed the mortgage. The Château of Hirondelette was up for sale. When de Savignac came out to open the gate for me late that evening his face was as white as the palings in the moonlight.
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