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LITERATURE IN PARIS. A correspondent of the London Literary Gazette, under date of June 12, says: "I notice reprints, by Didot, of several of the standard works of Chateaubriand; a condensation, by General O'Connor, of his "Monopoly;" a Treatise, by the Bishop of Langres, on the grave question of Church and State; a very interesting and curious work on the forests of Gaul, ancient France, England, Italy, &c.; a volume of the Unpublished Letters of Mary Adelaide of Savoy, Duchess of Bourgogne which throws great light on many of the principal historical events and personages of her time; a charming series of Sketches from Constantinople, entitled "Nuits du Ramazan," by Gerard de Nerval, a popular feuilletoniste; a big volume of the works of St.
Jetons dans l'oubli, s'il est possible, des jours et surtout des nuits si cruels, et bornons-nous a demander a Dieu de n'envoyer rien de semblable desormais, soit a moi, soit a mes amis. Depuis trois semaines j'occupe fevrier a reparer les mefaits de janvier. Je vais aussi bien que possible: mes forces sont en grande partie revenues. Les bronches semblent en voie de guerison rapide.
If you now wish to understand some of the secrets of the earth, let us consider the tombs of the Pharaohs. These, apart from their ostensible purposes of being tombs, have also a hidden one i.e. to conceal in their numbers and proportions the discoveries of the learned regarding the mutual relations of Sibus and Nuits.
When he began to cross the square, instead of going round it, she concluded that his love had diminished in the exact proportion of two sides of a square to the diagonal. Promoted to the position of a companion, she devoted herself to the interests of her restless mistress, read to her, talked with her, wrote plays for her, and was the animating spirit of the famous Nuits Blanches.
Great jealousy prevailed at this moment among the French generals in command of various corps which might have helped the Garibaldians. Bressolles, Crevisier, and Cremer were at loggerheads. On November 30 the last-named fought an indecisive action at Nuits, followed nearly three weeks later by another in which he claimed the victory.
What could be more exquisitely tender than many of his songs and romances, and various of the airs and choral pieces from "Beatrice et Benedict," from "Nuits d'Été," "Irlande," and from "L'Enfance du Christ"? Berlioz in his entirety, as man and composer, was a most extraordinary being, to whom the ordinary scale of measure can hardly be applied.
Then, with a dash of Rose Ambrée for my companion's blouse and Nuits d'Orient for mine, we sallied forth scented like a harem, to do honour to our hosts. Luncheon was in a vast cavern of a vaulted banqueting-hall, in the deepest heart of that citadel, where for eleven years Napoleon kept his weary English prisoners.
This episode, of which I have briefly given the outline, was the principal event of Alfred de Musset's life, the one which marked and colored it most deeply, which brought his genius to perfection by a cruel and fiery torture, and left a lasting imprint upon his writings. Although he never produced anything finer than certain passages of "Rolla," which was published in 1833, yet previous to that or more accurately to 1835, when he began to write again he had composed no long poem of equal merit throughout, none in which the flight was sustained from first to last. The magnificent series of the "Nights" of May, December, August and October, the "Letter to Lamartine," "Stanzas on the Death of Malibran," "Hope in God," and a number of others of not less melody and vigor, but less exalted and serious in tone; several plays, among them Lorenzaccio, which missed only by a very little being a fine tragedy; the greater part of his prose tales and criticisms, including Le Fils de Titien, the most charming of his stories, and the Confession d'un Enfant du Siècle, which shows as much genius as any of his poems, belong to the period from 1835 to 1840, his apogee. Of the last work, notwithstanding its unmistakable personal revelations which, if they do not tell the author's story, at least reflect his state of mind Paul de Musset says, what everybody who has read his brother's writings carefully will feel to be true, that neither in the hero nor any other single personage must we look for Alfred's entire individuality. In the complexity of his character and emotions, and the contradictions which they united, are to be found the eidolon of every young man in his collection, even "the two heroes of Les Caprices de Marianne, Octave and Clio," says Paul, "although they are the antipodes of one another." Neither is it as easy as it would seem on the surface to trace the thread of any one incident of his life through his writings. Although containing some irreconcilable passages, the four "Nights" appeared to have been born of the same impulse and to exact the same dedication: it is undeniably a shock to have their inconsistencies explained by hearing that while the "Nuits de Mai," "d'Août" and "d'Octobre" refer to his passion for Madame Sand, the "Nuit de Décembre" and "Lettre
"Napoleon's favorite wine, and mine evidence of the sympathy that exists between the truly great." And, draining the glass, he burst into a song in praise of French wines, beginning "Le Chambertin rend joyeux, Le Nuits rend infatigable, Le Volnay rend amoureux, Le Champagne rend amiable.
Femme travaille, fait la noce, tout le temps. Toujours avec officiers anglais. Gagne beaucoup, cent franc, deux cent franc, trois cent franc, toutes les nuits. Anglais riches. Femme me donne tout. Moi no travailler. Bon, eh?" Grateful for this little piece of information, and with his leer an inch from my chin, I answered slowly and calmly that it certainly was.
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