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The Simon of Theodoret differs from that of his predecessor only in one or two important details of the aeonology, a fact that has presumably led Matter to suppose that he has introduced some later Gnostic ideas or confused the teachings of the later Simonians with those of Simon.
For nowhere in the world do the Simonians any longer exist. Moreover by getting many under his influence Simon took away from his disciples the danger of death, which Christians were taught was taken away, teaching them that there was no difference between it and idolatry. And yet in the beginning the Simonians were not plotted against.
So they carried out his orders, but he has stopped away until the present day, for he was not the Christ. vi. Henric. i. 57. And Simon also, the Samaritan magician, endeavoured to steal away certain by his magic. And at that time he succeeded in deceiving them, but in our own day I do not think it possible to find thirty Simonians altogether in the inhabited world.
In Carlyle, indeed, I found bitter denunciations of an "age of unbelief," and of the present age as such, which I, like most people at that time, supposed to be passionate protests in favour of the old modes of belief. But all that was true in these denunciations, I thought that I found more calmly and philosophically stated by the St. Simonians.
The scheme gradually unfolded by the St. Simonians, under which the labour and capital of society would be managed for the general account of the community, every individual being required to take a share of labour, either as thinker, teacher, artist, or producer, all being classed according to their capacity, and remunerated according to their work, appeared to me a far superior description of Socialism to Owen's.
Sand and her brother and sister philosophers, Templars, Saint Simonians, Fourierites, Lerouxites, or whatever the sect may be, leave the unfortunate people who have listened to their doctrines, and who have not the opportunity, or the fiery versatility of belief, which carries their teachers from one creed to another, leaving only exploded lies and useless recantations behind them!
It may be readily imagined that Heine, with so large a share of the Gallic element as he has in his composition, was soon at his ease in Parisian society, and the years here were bright with intellectual activity and social enjoyment. “His wit,” wrote August Lewald, “is a perpetual gushing fountain; he throws off the most delicious descriptions with amazing facility, and sketches the most comic characters in conversations.” Such a man could not be neglected in Paris, and Heine was sought on all sides—as a guest in distinguished salons, as a possible proselyte in the circle of the Saint Simonians. His literary productiveness seems to have been furthered by his congenial life, which, however, was soon to some extent embittered by the sense of exile; for since 1835 both his works and his person have been the object of denunciation by the German governments. Between 1833 and 1845 appeared the four volumes of the “Salon,” “Die Romantische Schule” (both written, in the first instance, in French), the book on Börne, “Atta Troll,” a romantic poem, “Deutschland,” an exquisitely humorous poem, describing his last visit to Germany, and containing some grand passages of serious writing; and the “Neue Gedichte,” a collection of lyrical poems. Among the most interesting of his prose works are the second volume of the “Salon,” which contains a survey of religion and philosophy in Germany, and the “Romantische Schule,” a delightful introduction to that phase of German literature known as the Romantic school. The book on Börne, which appeared in 1840, two years after the death of that writer, excited great indignation in Germany, as a wreaking of vengeance on the dead, an insult to the memory of a man who had worked and suffered in the cause of freedom—a cause which was Heine’s own. Börne, we may observe parenthetically for the information of those who are not familiar with recent German literature, was a remarkable political writer of the ultra-liberal party in Germany, who resided in Paris at the same time with Heine: a man of stern, uncompromising partisanship and bitter humor. Without justifying Heine’s production of this book, we see excuses for him which should temper the condemnation passed on it. There was a radical opposition of nature between him and Börne; to use his own distinction, Heine is a Hellene—sensuous, realistic, exquisitely alive to the beautiful; while Börne was a Nazarene—ascetic, spiritualistic, despising the pure artist as destitute of earnestness. Heine has too keen a perception of practical absurdities and damaging exaggerations ever to become a thoroughgoing partisan; and with a love of freedom, a faith in the ultimate triumph of democratic principles, of which we see no just reason to doubt the genuineness and consistency, he has been unable to satisfy more zealous and one-sided liberals by giving his adhesion to their views and measures, or by adopting a denunciatory tone against those in the opposite ranks. Börne could not forgive what he regarded as Heine’s epicurean indifference and artistic dalliance, and he at length gave vent to his antipathy in savage attacks on him through the press, accusing him of utterly lacking character and principle, and even of writing under the influence of venal motives. To these attacks Heine remained absolutely mute—from contempt according to his own account; but the retort, which he resolutely refrained from making during Börne’s life, comes in this volume published after his death with the concentrated force of long-gathering thunder. The utterly inexcusable part of the book is the caricature of Börne’s friend, Madame Wohl, and the scurrilous insinuations concerning Börne’s domestic life. It is said, we know not with how much truth, that Heine had to answer for these in a duel with Madame Wohl’s husband, and that, after receiving a serious wound, he promised to withdraw the offensive matter from a future edition. That edition, however, has not been called for. Whatever else we may think of the book, it is impossible to deny its transcendent talent—the dramatic vigor with which Börne is made present to us, the critical acumen with which he is characterized, and the wonderful play of wit, pathos, and thought which runs through the whole. But we will let Heine speak for himself, and first we will give part of his graphic description of the way in which Börne’s mind and manners grated on his taste: “To the disgust which, in intercourse with Börne, I was in danger of feeling toward those who surrounded him, was added the annoyance I felt from his perpetual talk about politics. Nothing but political argument, and again political argument, even at table, where he managed to hunt me out. At dinner, when I so gladly forget all the vexations of the world, he spoiled the best dishes for me by his patriotic gall, which he poured as a bitter sauce over everything. Calf’s feet,
If, on the contrary, it is maintained that he used existing materials for his system, and explained away his improper connection with Helen by an adaptation of the Sophia-mythos, it is difficult to understand how such a palpable absurdity could have gained any credence among such cultured adherents as the Simonians evidently were. In either case the Gnostic tradition is shown to be pre-Christian.
He would do a great deal for noodles, being sorry for them, and feeling quite sure that they could have no power over him: he had thought of joining the Saint Simonians when he was in Paris, in order to turn them against some of their own doctrines.
M. Comte soon left the St. Simonians, and I lost sight of him and his writings for a number of years. But the St. Simonians I continued to cultivate. I was kept au courant of their progress by one of their most enthusiastic disciples, M. Gustave d'Eichthal, who about that time passed a considerable interval in England.
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