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Updated: May 24, 2025


And he kept a stately court, having for his chief officers Mr. Besides these eighteen Placemen, Pallaphilos had many other mock officers, whose names are not recorded, and he was attended by a body-guard of fourscore members of the Inn. From the pages of Gerard Leigh and Dugdale, the reader can obtain a sufficiently minute account of the pompous ceremonials and heavy buffooneries of the season.

For this man, Pericles entertained an extraordinary esteem and admiration, and, filling himself with this lofty and, as they call it, up-in-the-air sort of thought, derived hence not merely, as was natural, elevation of purpose and dignity of language, raised far above the base and dishonest buffooneries of mob-eloquence, but, besides this, a composure of countenance, and a serenity and calmness in all his movements, which no occurrence whilst he was speaking could disturb, a sustained and even tone of voice, and various other advantages of a similar kind, which produced the greatest effect on his hearers.

After Petrarch a gradual change takes place in the poetic conception of love: except in learned revivalisms or in loose buffooneries, the mere fleshly love of Antiquity disappears out of literature; and equally so, though by a slower process of gradual transformation, vanishes also the adoring, but undisguisedly adulterous love of the troubadours and minnesingers.

The author of these "Études sur le Combat" was Colonel Ardent du Picq, who fell at the battle of Longeville-les-Metz, on August 15, 1870. He had predicted the calamity of that war, which he attributed to the mental decadence of the French army, and to the absence of any adequate General Staff organization. Ardent du Picq had received no encouragement from within or from without, and the reforms which he never ceased to advocate were treated as the dreams of an eccentric idealist. He died, unrecognized, without having lived to see carried out one of the reforms which he had so persistently advocated. His tongue was rough and his pen was dipped in acid; the military critic who ridiculed the "buffooneries" of his generals and charged his fellow-officers with trying to get through their day's work with as little trouble to themselves as possible, was not likely to carry much weight at the close of the Second Empire. But the scattered papers of the forgotten Colonel Ardent du Picq were preserved, and ten years after his death a portion of them was published. Every scrap which could be found of the work of so fruitful a military thinker was presently called for, and at the moment of the outbreak of the present war the "Études sur le Combat" had become the text-book of every punctilious young officer. It is still unknown how much of the magnificent effort of 1914 was not due to the shade of Ardent du Picq. Although the name of that author does not occur in the pages of "Ma Pièce," we are constrained to believe that Lintier had been, like so many young men of his class, an infatuated student of the "Études." He had comprehended the essence of military vitality and the secret of military grandeur. He had perceived the paramount importance of moral force in contending with formidable hostile organizations. Ardent du Picq, who possessed the skill of his nation in the manufacture of maxims, laid it down that "Vaincre, c'est d'être sûr de la victoire." He assented to the statement that it was a spiritual and not a mechanical ascendancy which had gained battles in the past and must gain them in the future. Very interesting it is to note, in the delicately scrupulous record of the mind and conscience of Paul Lintier, how, side by side with this uplifted patriotic confidence, the weakness of the flesh makes itself felt. At Tailly, full of the hope of coming battle, waiting in the moonlit forest for the sound of approaching German guns, suddenly the heroism drops from him, and he murmurs the plaintive verses of the old poet Joachim du Bellay to the echo of "Et je mourrai peut-être demain!" The delicate sureness with which he notes these changes of mood is admirable; and quickly the depression passes: "vite notre extraordinaire insouciance l'emporte, et puis, jamais heure a-t-elle été plus favorable

M. de Crillon was a very excellent and agreeable man, but he had the fault of indulging in buffooneries of this kind, which, however, were the result of his natural gaiety, and not of any subserviency of character. Such, however, was not the case with another exalted nobleman, a Knight of the Golden Fleece, whom Madame saw one day shaking hands with her valet de chambre.

They are buffooneries, and none the less buffooneries because they are made terrible by the spilling of blood. The actors, heroes in the eyes of the crowd, are only poor folk torn between fear, discipline and pride.

'I hear and obey, replied Mesrour and accoutring Abou Nuwas, as the Khalif had bidden him, carried him round to all the lodgings of the harem, in number as the days of the year; but he made all the girls laugh with his buffooneries and each gave him something, so that he returned with a pocketful of money.

What a dishonour to the memory of the great Metastasio, a man free from all vices, adorned with all virtues, and of the most singular ability. Casti had neither a fine style, nor a knowledge of dramatic requirements, as appears from two or three comic operas composed by him, in which the reader will find nothing but foolish buffooneries badly put together.

The uncleanliness that results from heat and indolence, the obsequious slavishness of the common people, contrasted with their loquacious impertinence, the sensuality of their hosts of monks, nay the gluttony even of their begging friars, their ignorant adoration of the rags and rotten wood which they themselves dress up, the protection afforded to the most atrocious criminals if they can but escape to a mass of stone which they call sacred, the little horror in which they hold murder, the promptness with which they assassinate for affronts which they want the spirit to resent, their gross buffooneries religious and theatrical, the ridiculous tales told to the vulgar by their preachers, and the improbable farces which are the delight of the gentle and the simple, all these, and many other things of a similar nature, seem to degrade them below rational creatures.

M. de Crillon was a very excellent and agreeable man, but he had the fault of indulging in buffooneries of this kind, which, however, were the result of his natural gaiety, and not of any subserviency of character. Such, however, was not the case with another exalted nobleman, a Knight of the Golden Fleece, whom Madame saw one day shaking hands with her valet de chambre.

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