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Ardant du Picq, according to the Annual Register, commanded but a regiment. He was fitted for the first rank of the most exalted. He fell at the hour when France was thrown into frightful chaos, when all that he had foreseen, predicted and dreaded, was being terribly fulfilled. New ideas, of which he was the unknown trustee and unacknowledged prophet, triumphed then at our expense.
Because the officers are lazy and try to get out of a difficulty by giving themselves the least trouble possible." In default of exceptional generals who remold in some campaigns, with a superb stroke, the damaged or untempered military metal, it is of importance to supply it with the ideals of Ardant du Picq. Those who are formed by his image, by his book, will never fall into error.
Fifty dancers dressed as pages presented to the knights twenty-five superb black horses, and twenty-five of a dazzling whiteness, all most richly caparisoned. The party led by Augustus Vestris wore the Queen's colours. Picq, balletmaster at the Russian Court, commanded the opposing band. There was running at the negro's head, tilting, and, lastly, combats 'a outrance', perfectly well imitated.
Coming from the superior mind of a leader who inspires faith it imposes obedience by its very strength. Colonel Ardant du Picq was a military writer only, with a style of his own. He has the Latin brevity and concentration. He retains his thought, assembles it and always puts it out in a compact phrase like a cartridge.
In asking for a doctrine in combat and in seeking to base it on the moral element, Ardant du Picq was ahead of his generation. He has had a very great influence. But, the doctrine is not yet established. How to approach the adversary? How to pass from the defensive to the offensive? How to regulate the shock? How to give orders that can be executed? How to transmit them surely?
The sound and complete discussions of Ardant du Picq take up, in a poignant way, the setting of every military drama. They envelop in a circle of invariable phenomena the apparent irregularity of combat, determining the critical point in the outcome of the battle. Whatever be the conditions, time or people, he gives a code of rules which will not perish.
The author of these "Études sur le Combat" was Colonel Ardent du Picq, who fell at the battle of Longeville-les-Metz, on August 15, 1870. He had predicted the calamity of that war, which he attributed to the mental decadence of the French army, and to the absence of any adequate General Staff organization. Ardent du Picq had received no encouragement from within or from without, and the reforms which he never ceased to advocate were treated as the dreams of an eccentric idealist. He died, unrecognized, without having lived to see carried out one of the reforms which he had so persistently advocated. His tongue was rough and his pen was dipped in acid; the military critic who ridiculed the "buffooneries" of his generals and charged his fellow-officers with trying to get through their day's work with as little trouble to themselves as possible, was not likely to carry much weight at the close of the Second Empire. But the scattered papers of the forgotten Colonel Ardent du Picq were preserved, and ten years after his death a portion of them was published. Every scrap which could be found of the work of so fruitful a military thinker was presently called for, and at the moment of the outbreak of the present war the "Études sur le Combat" had become the text-book of every punctilious young officer. It is still unknown how much of the magnificent effort of 1914 was not due to the shade of Ardent du Picq. Although the name of that author does not occur in the pages of "Ma Pièce," we are constrained to believe that Lintier had been, like so many young men of his class, an infatuated student of the "Études." He had comprehended the essence of military vitality and the secret of military grandeur. He had perceived the paramount importance of moral force in contending with formidable hostile organizations. Ardent du Picq, who possessed the skill of his nation in the manufacture of maxims, laid it down that "Vaincre, c'est d'être sûr de la victoire." He assented to the statement that it was a spiritual and not a mechanical ascendancy which had gained battles in the past and must gain them in the future. Very interesting it is to note, in the delicately scrupulous record of the mind and conscience of Paul Lintier, how, side by side with this uplifted patriotic confidence, the weakness of the flesh makes itself felt. At Tailly, full of the hope of coming battle, waiting in the moonlit forest for the sound of approaching German guns, suddenly the heroism drops from him, and he murmurs the plaintive verses of the old poet Joachim du Bellay to the echo of "Et je mourrai peut-être demain!" The delicate sureness with which he notes these changes of mood is admirable; and quickly the depression passes: "vite notre extraordinaire insouciance l'emporte, et puis, jamais heure a-t-elle été plus favorable
"There are men," says Ardant du Picq, "such as Marshal Bugeaud, who are born military in character, mind, intelligence and temperament. Not all leaders are of this stamp. There is, then, need for standard or regulation tactics appropriate to the national character which should be the guide for the ordinary commander and which do not exact of him the exceptional qualities of a Bugeaud."
Never for a second did Ardant du Picq forget that combat is the object, the cause of being, the supreme manifestation of armies. Every measure which departs therefrom, which relegates it to the middle ground is deceitful, chimerical, fatal.
In the meantime, Colonel Ardant du Picq asked for Lieut.-Colonel Doleac, delivered to him his saddlebags containing important papers concerning the regiment and gave him his field glasses.
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