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Eustache Deschamp, Joachim du Bellay, Ronsard, the delightful La Fontaine, the delightful but appalling Villon, Victor Hugo's "Guitare," Madame Desbordes-Valmore's lines on the little girl and her pillow, as dear little verses about a child as ever were written these and many others comforted me much, as I read them in head-net and gauntlets, sitting on a log by an unknown river in the Amazonian forest.
At the news of these reverses, Francis I. repaired to Lyons, to consult as to the means of applying a remedy. Lautrec also arrived there. "The king," says Martin du Bellay, "gave him a bad reception, as the man by whose fault he considered he had lost his duchy of Milan, and would not speak to him."
A disposition to letters and poetry appears among their ancestry on both sides, beginning in the twelfth century with Colin de Musset, a sort of troubadour, a friend of Thibaut, count of Champagne, while the poet's paternal grandmother bore the name of Du Bellay, so illustrious in the annals of French literature.
Since great Ronsarde and learned Bellay have raised our French Poesie unto that height of honour where it now is: I see not one of these petty ballad-makers, or prentise dogrell rymers, that doth not bombast his labours with high-swelling and heaven-disimbowelling words, and that doth not marshall his cadences verie neere as they doe.
Poetry, too, in my opinion, has flourished in this age of ours; we have abundance of very good artificers in the trade: D'Aurat, Beza, Buchanan, L'Hospital, Montdore, Turnebus; as to the French poets, I believe they raised their art to the highest pitch to which it can ever arrive; and in those parts of it wherein Ronsard and Du Bellay excel, I find them little inferior to the ancient perfection.
"What did you think of yesterday's fete?" asked Bourdeilles, seigneur of Brantome, approaching Mademoiselle de Piennes, one of the queen-mother's maids of honor. "Messieurs du Baif et du Bellay were inspired with delightful ideas," she replied, indicating the organizers of the fete, who were standing near. "I thought it all in the worst taste," she added in a low voice.
These strange ascents had been partially restored by the Comte de Paris, the present owner of Amboise, before his exile stopt the work of repairing the chateau, and it is still possible to imagine the "charrettes, mullets, et litières," of which Du Bellay speaks, mounting from the low ground to the chambers above, or the Emperor Charles V., in later years, riding up with his royal host Francis I., always fond of display, amid such a blaze of flambeaux "that a man might see as clearly as at mid-day."
In many ways it is a more characteristic example of the culture of the Pleiad than any of its verse; and those who love the whole movement of which the Pleiad is a part, for a weird foreign grace in it, and may be looking about for a true specimen of it, cannot have a better than Joachim du Bellay and this little treatise of his.
Now in the English middle ages, prosody had consistently been treated as a part of grammar, following the classical tradition; but in France prosody had regularly been discussed in treatises bearing the name of rhetoric. As Spingarn has shown, this tradition of the French middle ages persisted in the works of Du Bellay and Ronsard, whose works in turn inspired Gascoigne.
I am sure that you yourself, when you consider more impartially what you have said, will be induced to believe, according to these lines of Du Bellay: "C'est chercher Rome en Rome, Et rien de Rome en Rome ne trouver."
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