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We furthermore straightly inhibit all manner of persons, of what state, degree, order, or condition, soever they be, altho of Imperial and regal dignity, under the pain of the sentence of excommunication which they shall incur if they do to the contrary, that they in no case presume special license of you, your heirs, and successors, to travel for merchandise or for any other cause, to the said lands or islands, found or to be found, discovered or to be discovered, toward the west and south, drawing a line from the pole Arctic to the pole Antarctic, whether the firm lands and islands found and to be found, be situated toward India or toward any other part being distant from the line drawn a hundred leagues toward the west from any of the islands commonly called De Los Azores and Cabo Verde: Notwithstanding constitutions, decrees, and apostolic ordinances, whatsoever they are to the contrary: In him from whom empires, dominions, and all good things do procede: Trusting that almighty God directing your enterprises, if you follow your godly and laudable attempts, your labors and travels herein, shall in short time obtain a happy end, with felicity and glory of all Christian people.
I carried my point, and continued my 'procede' with the Abbe; and by this easy and polite commerce with him, at third places, I often found means to fish out from him whereabouts he was. Remember, there are but two 'procedes' in the world for a gentleman and a man of parts; either extreme politeness or knocking down.
It is the same in business; where he who can command his temper and his countenance the best, will always have an infinite advantage over the other. This is what the French call un 'procede honnete et galant', to PIQUE yourself upon showing particular civilities to a man, to whom lesser minds would, in the same case, show dislike, or perhaps rudeness.
I gave the letter to James; telling him not to awaken me with the answer till he came at eleven o'clock; and after eating a good meal, I went to my bed and fell sound asleep; and it seemed scarcely five minutes, before James came knocking, with Mr. Chiffinch's answer. I sat up on my bed and read it my mind still swimming with sleep. "Prospere procede!" it ran. "I will observe all that you say.
I would offer them a pinch of snuff out of my box as I walked along my gallery, with their Excellencies cringing after me. Zenobia was a fine woman and a queen, but she had to walk in Aurelian's triumph. The procede was peu delicat? En usez vous, mon cher monsieur! What a richness, what a freedom of handling, and what a marvellous precision! I trod upon your Excellency's corn? a thousand pardons.
The timepiece does not run down regularly, but "la force procede par saccades; et . . . par pulsations d'autant plus energiques que la nature etait plus pres de son commencement." Such is the hypothesis. For a theory of evolution, this is singularly unlike Darwin's in most respects, and particularly in the kind of causes invoked and speculations indulged in.
There is a certain 'procede noble et galant', which should always be observed among the ministers of powers even at war with each other, which will always turn out to the advantage of the ablest, who will in those conversations find, or make, opportunities of throwing out, or of receiving useful hints.
We can never hope to revive Greek architecture, nor should we attempt to do so. There was once a well-known Scotch architect who held that the column and the lintel was the only permissible form of construction, and with this limitation and ill-selected Greek details he produced some fantastically ugly buildings. Following a similar line of thought a famous critic of the last century condemned methods of construction not sanctioned by the Old Testament. Both were wide of the mark; because, above and beyond all technical details of architecture is the spirit in which it is approached, the intellectual outlook of the artist on his art, and this may express itself in widely differing forms. In Greek architecture of the Golden period, that outlook was definite and distinctive, and it was one that has a very urgent lesson for us to-day. The aim and ideal of the Greek was beauty of form, and this beauty, which he sought in the first instance as the expression of his religion, ultimately became almost a religion in itself. To the realization of this ideal he devoted all his powers, sparing himself no pains in chastening his work till it had attained the utmost perfection possible. He merged himself in this work, without thought of the expression of himself in his vision of a divine and immutable beauty. It hardly occurred to him that his individual emotions were worth preserving. (In the sculpture of the great period the expression of the face is usually one of unruffled calm.) Although religious emotion was the source and inspiration of his work, his work was impersonal. He was aloof from that feverish anxiety for self-revelation which has made much modern art so interesting pathologically, and so detestable otherwise. Nor again had he anything of the virtuoso about him. To him technique was not an end in itself. In Hellenistic art it became so, but not in the Golden Age. Indeed, he was sometimes almost careless of exact modelling, and in architecture he did not use the order as a mere exhibition of scholarship. In his search for beautiful form, he stood upon the ancient ways, patient and serene, moving steadily to his appointed end. 'Ainsi procède le génie grec, moins soucieux du nouveau que du mieux, il reporte vers l'épuration des formes l'activité que d'autres dépensent en innovations souvent stériles, jusqu'
Il savait être aimable quand il le fallait, et voici son procédé pour se faire bien venir des personnes qu'il ne reconnaissait pas, mais qui le connaissaient,
It is the same in business; where he who can command his temper and his countenance the best, will always have an infinite advantage over the other. This is what the French call un 'procede honnete et galant', to PIQUE yourself upon showing particular civilities to a man, to whom lesser minds would, in the same case, show dislike, or perhaps rudeness.
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