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After Alexander's time the Greek and the Oriental forms became confused; the general level of style and execution falls, painted decoration almost disappears, and the outer surface is often ribbed by uneven pressure of the fingers on the whirling clay. This fashion is a sign of late Hellenistic or Graeco-Roman date. Imitations are of all degrees of inferiority.
The Worship of Venus might be more appropriately named Games of the Loves in Honour of Venus. The subject is taken from the Imagines of Philostratus, a renowned Greek sophist, who, belonging to a late period of the Roman Empire, yet preserved intact the self-conscious grace and charm of the Hellenistic mode of conception.
The first volume comprises a survey of the entire period of a thousand years, and examines the cardinal notions of the Hellenic, Hellenistic, and Roman ages from this particular point of view. In succeeding divisions the works of Latin and Greek writers under the Empire will be more closely studied, and detailed essays will discuss their various systems, e.g.
In point of fact it was the classicistic Catullus and Calvus, of the simple, limpid lyrics, written in pure unalloyed every-day Latin, that taught the new generation to reject the later Hellenistic style of Catullus and Calvus as illustrated in the verse romances.
Thus, now that the Roman community had become a great power, Rome itself became a great city. Silver Standard of Value Lastly Rome, as head of the Romano-Italian confederacy, not only entered into the Hellenistic state-system, but also conformed to the Hellenic system of moneys and coins.
In the Hellenistic period the art of metal working, knowledge of which has spread abroad and in which the interest had been raised to almost scientific character, was penetrated by the philosophical theories of the Greeks: the element and atom ideas of the nature-philosophers and of Plato and of Aristotle, and the religious views of the neoplatonists.
In the one case allegory was a genuine development, and might have been adopted by the original prophet: in the other, it was reconstruction; and the artificial un-Hebraic character of the Hellenistic commentary was one of the causes of its disappearance from Jewish tradition.
Before venturing upon any discussion of the authorship and contents of our document, it would be as well to say a few words as to the meaning of that much misunderstood technical term "Gnôsis" in Hellenistic and early Christian theology. For a fuller exposition I would refer the reader to the admirable essay upon the subject by Mr G. R. S. Mead in his volume Quests Old and New.
The last trumpet of the day of judgment will sound and the dead will be raised with spiritual or incorruptible bodies, and those who are still alive will be changed and given these spiritual bodies since flesh and blood cannot enter the coming kingdom of God. This message is the natural interpretation of Christianity by a learned Hellenistic Jew.
It does not follow that no great works of art were made in the Hellenistic age; the fine traditions of the fifth and fourth centuries were not easily lost. But the inspiration of the subject, so far as it still exists, comes from new and different sources.
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