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And then, of course, the mantelpiece with the black-edged funeral notice and shiny coffin plate, relics of Grampaw Peel's taking-off; and the pink mug with the purple pansy and "Woodstock, N.Y.," on it; the photograph of a forgotten cousin in Iowa, with long antennæ-shaped mustaches; the Bible with the little china knobs on the corners; and the pile of medicine testimonials and seed catalogues all these contributed something.

T'-morrow mawnin' come, he's outer it." Her voice rose into a minor cadence, almost a chant. "Chile, it's a dahk shadder on all de Deans dey all mahked wid dat frown on deir foreheads, an' dey all got dahk hours come to um. Marse Wes's maw she fade out an' die caze she cain' stan' no such. His grammaw, she leave his grampaw. An' so on back.

It's a little moth-eaten, but it won't matter fur you.... The gray suit you can easy cut down fur Luke, there " She droned on, the other woman making dry automatic sounds of assent. She looked cool Maw Luke thought; but she wasn't. Not by a darn sight! There was a spot of pink in each cheek and she stared hard every little bit at Grampaw Peel's funeral plate on the mantel.

She did not speak at once, going over to warm her gloveless hands at the stove, and staring up at the Grampaw Peel plate; then: "When it comes my Nat's medal it's goin' to set right up here, 'stead o' this old thing an' the letters and the sermons in my shell box I got on my weddin' trip.... Lawyer Ritchie told me to-day what it means, the name o' that medal Cross o' War!

You give her your card and the dog rushes out and bites you on either the right or left leg. You are then ushered into a room in which is seated an old man with a long white beard. He is fast asleep. "Dot's grampaw," says the maid, to which you reply, "Oh." She retires, leaving you alone with grampaw. After a while he opens his eyes and stares at you for a few minutes.

Well, so thishere young li'l Dills settin' there puffin' an' blowin' his ches' out and in, an' feelin' all nice 'cause it about the firs' time this livin' summer he catch you' Aunt Julia alone to hisse'f fer while an' all time the house dess fillin' up, an' draf' blowin' straight at you' grampaw whur he settin' in his liberry.

"He mus' 'a' come thataway," she said. "I bet nobody 't all ain' train him; he do whut he want to hisse'f. That Gammire don' ast nobody to train him." "Oh, goodness!" Florence said, with sudden despondency. "It's awful!" "Whut is?" "To think of as lovely a dog as this having to face grandpa!" "'Face' him!" Kitty Silver echoed forebodingly. "I reckon you' grampaw do mo'n dess 'face' him."

Her tone had become one of reminiscent amusement, which culminated in a burst of laughter. "Whee!" she concluded. "After las' night, I reckon thishere Mista Dills better keep away from the place yes'm!" Florence looked thoughtful, and for the time said nothing. It was Herbert who asked: "Why'd Noble Dill better stay away from here?" "You' grampaw," Mrs. Silver said, shaking her head.

Mista Sammerses, he give her them two Berjum cats, an' ole Mister Ridgways whut los' his wife, he give you' Aunt Julia them two canaries that tuck an' hopped out the cage an' then out the window, las' week, one day, when you' grampaw was alone in the room with 'em; an' Mista George Plummers, he give her that Airydale dog you' grampaw tuck an' give to the milkman; an' Mista Ushers, he give her them two pups whut you' grampaw tuck an' skeer off the place soon as he laid eyes on 'em, an' thishere Mista Clairidge, he give her that ole live allagatuh from Florida whut I foun' lookin' at me over the aidge o' my kitchen sink ugly ole thing! an' you' grampaw tuck an' give it to the greenhouse man.

Co'se she nev' tuck an' pay no 'tention, 'cause Miss Julia, she nev' pay no 'tention to nobody; an' she like caller have nice time she ain' goin' tell 'em you' grampaw make such a fuss.