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An unforeseen incident now occurred; the royalist column, recalled from Corleone, which was largely composed of Bavarians, reached Porta Termini and opened a furious fire on the weak Garibaldian detachment stationed there. Was it ignorance or bad faith?
Thus there are three components in our knowledge of nature, namely, fact, factors, and entities. Fact is the undifferentiated terminus of sense-awareness; factors are termini of sense-awareness, differentiated as elements of fact; entities are factors in their function as the termini of thought. The entities thus spoken of are natural entities.
In conversation we pluck up the termini which bound the common of silence on every side. The parties are not to be judged by the spirit they partake and even express under this Pentecost. To-morrow they will have receded from this high-water mark. To-morrow you shall find them stooping under the old pack-saddles. Yet let us enjoy the cloven flame whilst it glows on our walls.
I think it is impossible to estimate how much one railway company profits by the facilities afforded by all the surrounding companies. The loss at a limited number of competing termini is seen; the gain in the local and cross-country traffic is not. I propose Free Trade in Railways. I mean that any person or company shall be free to make a railway wherever they please.
The war had stopped. The King of England was in Paris, and the President of the United States was hourly expected. Humbler guests poured each night from the termini into the overflowing city, and sought anxiously for some bed, lounge-chair, or pillowed corner, in which to rest until the morning.
By this plan, in this contracted space, upwards of two hundred different pouches and sacks can be distributed into between the termini. On one side of the aisle is a narrow counter, upon which the mail matter is emptied from the pouches and sacks; this is hinged to the pouch-rack, and can be swung back, to enable the clerks to get at the pouches more easily.
Leaving out of view, however, these two noble features which mark its termini, the street seemed not handsome enough to justify its fame. Perhaps this was because we found the famous lime-trees, for which the street is named, quite ordinary young trees, not to be compared with the magnificent elms which line the streets of New Haven and the Mall of Boston Common.
Among stories relating to craftsmen, these are perhaps worth gleaning. While he was working on the termini for the tomb of Julius, he gave directions to a certain stone-cutter: "Remove such and such parts here to-day, smooth out in this place, and polish up in that." In the course of time, without being aware of it, the man found that he had produced a statue, and stared astonished at his own performance. Michelangelo asked, "What do you think of it?" "I think it very good," he answered, "and I owe you a deep debt of gratitude." "Why do you say that?" "Because you have caused me to discover in myself a talent which I did not know that I possessed." A certain citizen, who wanted a mortar, went to a sculptor and asked him to make one. The fellow, suspecting some practical joke, pointed out Buonarroti's house, and said that if he wanted mortars, a man lived there whose trade it was to make them. The customer accordingly addressed himself to Michelangelo, who, in his turn suspecting a trick, asked who had sent him. When he knew the sculptor's name, he promised to carve the mortar, on the condition that it should be paid for at the sculptor's valuation. This was settled, and the mortar turned out a miracle of arabesques and masks and grotesque inventions, wonderfully wrought and polished. In due course of time the mortar was taken to the envious and suspicious sculptor, who stood dumbfounded before it, and told the customer that there was nothing left but to carry this masterpiece of carving back to him who fashioned it, and order a plain article for himself. At Modena he inspected the terra-cotta groups by Antonio Begarelli, enthusiastically crying out, "If this clay could become marble, woe to antique statuary." A Florentine citizen once saw him gazing at Donatello's statue of S. Mark upon the outer wall of Orsanmichele. On being asked what he thought of it, Michelangelo replied, "I never saw a figure which so thoroughly represents a man of probity; if S. Mark was really like that, we have every reason to believe everything which he has said." To the S. George in the same place he is reported to have given the word of command, "March!" Some one showed him a set of medals by Alessandro Cesari, upon which he exclaimed, "The death hour of art has struck; nothing more perfect can be seen than these." Before Titian's portrait of Duke Alfonso di Ferrara he observed that he had not thought art could perform so much, adding that Titian alone deserved the name of painter. He was wont to call Cronaca's church of S. Francesco al Monte "his lovely peasant girl," and Ghiberti's doors in the Florentine Baptistery "the Gates of Paradise." Somebody showed him a boy's drawings, and excused their imperfection by pleading that he had only just begun to study: "That is obvious," he answered. A similar reply is said to have been made to Vasari, when he excused his own frescoes in the Cancelleria at Rome by saying they had been painted in a few days. An artist showed him a Piet
During a Portuguese invasion of the Barbary states of Africa in 1415, in which Prince Henry served with his father and brothers, and later when he was himself in command, he found that there were caravan routes whose termini were at Ceuta and other Mediterranean towns.
In painting, as in literature, I suspect there is something in the productions of the day that takes the fancy more than the works of any past age, not greater merit, nor nearly so great, but better suited to this very present time. After leaving him, we went to the Piazza de' Termini, near the Baths of Diocletian, and found our way with some difficulty to Crawford's studio.
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