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We sat down to table, and afterwards rehearsed the piece without any need of the prompter's assistance. Towards evening the ambassador told the company that he would expect them to supper that evening at Soleure, and everyone left with the exception of the ambassador, myself, and M. and Madame . Just as we were going I had an agreeable surprise.
And so she departed, with our prompter's copy, leaving us rather surprised, ourselves, at the unsuspected horror we had been about to perpetrate, and Mademoiselle Descuillès shrugging her shoulders and smiling, and not probably quite convinced of the criminality of a piece of which the heroine, a pretty Frenchwoman, revolutionizes the Ottoman Empire by inducing her Mohammedan lover to dismiss his harem and confine his affections to her, whom he is supposed to marry after the most orthodox fashion possible in those parts.
The prompter's office, now that this piece had been running over four hundred nights, was practically a sinecure, so that there was no trouble about getting Lady Cunyngham installed in the little corner, whence, through a small aperture, she could regard the dusky-hued audience or turn her attention to the stage just as she pleased.
Just then a man in a blue jacket and gilt buttons entered from the left of the stage and whispered a few words into Schreiermeyer's ear. The manager looked grave at once, nodded and came forward to the prompter's box.
But there may be some one in the prompter's box our secret knowledge." "But is it knowledge of ourselves, or of others?" "Which do you think?" "Of ourselves, I suppose. I think we generally know far less of others than we believe ourselves to know." She expressed his thought of her earlier in the evening. "Probably.
Before she answered she turned her head and lifted her fine eyes. The next instant he saw they were full of tears. The words she spoke, however, though uttered as if she had tapped a silver gong, had not the note of sensibility: "Oh, I don't care for you!" He laughed at this, declared it was very well said and that if she could give Madame Carré such a specimen as that ! The actress came in before he had finished his phrase, and he observed the way the girl ruefully rose to the encounter, hanging her head a little and looking out from under her brows. There was no sentiment in her face only a vacancy of awe and anguish which had not even the merit of being fine of its kind, for it spoke of no spring of reaction. Yet the head was good, he noted at the same moment; it was strong and salient and made to tell at a distance. Madame Carré scarcely heeded her at first, greeting her only in her order among the others and pointing to seats, composing the circle with smiles and gestures, as if they were all before the prompter's box. The old actress presented herself to a casual glance as a red-faced, raddled woman in a wig, with beady eyes, a hooked nose, and pretty hands; but Nick Dormer, who had a sense for the over-scored human surface, soon observed that these comparatively gross marks included a great deal of delicate detail an eyebrow, a nostril, a flitting of expressions, as if a multitude of little facial wires were pulled from within. This accomplished artist had in particular a mouth which was visibly a rare instrument, a pair of lips whose curves and fine corners spoke of a lifetime of "points" unerringly made and verses exquisitely spoken, helping to explain the purity of the sound that issued from them. Her whole countenance had the look of long service of a thing infinitely worn and used, drawn and stretched to excess, with its elasticity overdone and its springs relaxed, yet religiously preserved and kept in repair, even as some valuable old timepiece which might have quivered and rumbled but could be trusted to strike the hour. At the first words she spoke Gabriel Nash exclaimed endearingly: "Ah la voix de Célimène!" Célimène, who wore a big red flower on the summit of her dense wig, had a very grand air, a toss of the head, and sundry little majesties of manner; in addition to which she was strange, almost grotesque, and to some people would have been even terrifying, capable of reappearing, with her hard eyes, as a queer vision of the darkness. She excused herself for having made the company wait, and mouthed and mimicked in the drollest way, with intonations as fine as a flute, the performance and the pretensions of the belles dames to whom she had just been endeavouring to communicate a few of the rudiments. "Mais celles-l
When I once questioned the hostess regarding the lions of the town, she would only acknowledge two, Bastholm's library, and the English fire-engine. The curtain in the theatre represents an alley with a fountain, the jets of which are painted as if spouting out of the prompter's box; or is this, perhaps, the English fire-engine? I know not.
There were several things to set in order as usual; for it is only in books and on the stage that folks make a graceful exit, clearing up the little mystery, forgiving the wrongs, boasting with feeble voice of the good they have done with lowering tone and soft music slowly working together to the prompter's bell.
In the corner behind the curtain, bounded by the refreshment table, and filled with the prompter's monotonous drawl, far, far from his barley ripe for the mowing, his boxwood peacocks, his greyhaired Hal and his buxom milkmaids; far from old madam, the pedantic, formal vicar, young madam, brisk, hot, and genial, and his old charmers Prissy and Fiddy, the squire told his tale of true love.
In this instance it was not occupied, and I was given the position in the prompter's seat, and saw the whole ballet at close range. "The city of Paris gave me a dinner at the new Hotel de Ville, which was also lighted with the Edison system. They had a very fine installation of machinery. As I could not understand or speak a word of French, I went to see our minister, Mr.
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