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Updated: June 26, 2025


"When you see this young lady," he observed, "I don't think you will say she looks like a silly school-girl. She's nearly as tall as I am, for one thing." "I hate giraffes," said Miss Burgoyne, tartly, "Do you put a string round her neck when you go out walking with her?" He was just on the point of saying something about greenroom manners, but thought better of it.

It was no small sacrifice that Constance had made to the little demon, to leave her retreat at Fontainebleau for Paris, which she held in horror. From the day when the ballet-dancer, once famous for her extravagant caprices, who squandered princely fortunes between her five parted fingers, had descended from the realm of apotheoses with a last remnant of their dazzling glare still lingering in her eyes, and had tried to resume the life of ordinary mortals, to administer her little income and her modest household, she had been subjected to a multitude of unblushing attempts at extortion and schemes which were readily successful in view of the ignorance of that poor butterfly, who was afraid of reality and constantly coming in contact with all its unknown difficulties. In Felicia's house the responsibility became far more serious, because of the extravagant methods long ago inaugurated by the father and continued by the daughter, both artists having the utmost contempt for economy. She had other difficulties, too, to overcome. She could not endure the studio, with its permanent odor of tobacco smoke, with the cloud, impenetrable to her, in which artistic discussions and ideas, expressed in their baldest form, were confounded in vague eddies of glowing vapor which invariably gave her the sick headache. The blague was especially terrifying to her. Being a foreigner, a former divinity of the ballet greenroom, fed upon superannuated compliments, gallantries

His appearance I should never have forgotten anyhow, but he is also connected in my mind with my first experience of terror. It came to me in the greenroom, the window-seat of which was a favorite haunt of mine. Curled up in the deep recess I had been asleep one evening, when I was awakened by a strange noise, and, peeping out, saw Mr. Harley stretched on the sofa in a fit.

But the callboy had again made his appearance. He was out of breath, and in a singsong voice he called out: "All to go on the stage! It's your turn, Monsieur Fontan. Make haste, make haste!" "Yes, yes, I'm going, Father Barillot," replied Fontan in a flurry. And he ran after Mme Bron and continued: "You understand, eh? Six bottles of champagne in the greenroom between the acts.

The greenroom of the Vaudeville in those days was a hotbed of gossip, as well as a neutral ground where men of every shade of opinion could meet; so much so that the President of a court of law, after reproving a learned brother in a certain council chamber for "sweeping the greenroom with his gown," met the subject of his strictures, gown to gown, in the greenroom of the Vaudeville.

He fancied that he could see astonishment and curiosity in their eyes, and wishing to be rid of this Englishman at once, he raised his hand to strike him and felt his arm paralyzed by some invisible power that sapped his strength and nailed him to the spot. He allowed the stranger to take him by the arm, and they walked together to the greenroom like two friends.

The whole company is keyed up to a point of mutual admiration that they are far from feeling generally. "The piece is charming and sure to be a success." The author and the interpreters of his thoughts are in complete communion. The first night comes. The piece is a failure! Drop into the greenroom then and you will find an astonishing change has taken place.

I took the wee little man and placed him in the greenroom doorway, leaning with his back against the door-jamb. When he saw Mr. Daly in the distance, he simply was to turn his bright red patch toward us we would do the rest. It was a glorious success. We kept an eye on the picket, and when the red patch danger signal was shown, silence fell upon the room. Forfeits ceased for a long time.

He looked pale, and proud, and indifferent. The play dragged on, and seemed interminable. Half of the audience went out, tramping in heavy boots, and laughing. The whole thing was a fiasco. The last act was played to almost empty benches. As soon as it was over, Dorian Gray rushed behind the scenes into the greenroom. The girl was standing alone there, with a look of triumph on her face.

In the course of his troublesome reflections concerning the Gochard paper, Vaudrey persistently thought of that fat, powerful man who laughed and harangued in a loud voice in the greenroom of the ballet, as he patted with his fat fingers the delicate chin of Marie Launay. Why! if he were willing, this Molina Molina the Tumbler! for him it is a mere bagatelle, a hundred thousand francs!

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