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Updated: June 9, 2025
Vavasour, in a somewhat aggrieved tone, "that when Horace always declares he cannot find time to walk with me, or even to talk to me, he should spend half his morning romping with the children in the nursery." And Mrs. Vavasour, who had also gone upstairs with Madge and Harry when they had finished their lessons, had not much to say in answer. Ich kann nicht hin! One day, Madelon said to Mrs.
In our beastly pizness, nopody cares to know who lifs or dies; it is a crate plessing gif a mann kann put drust in his vife's heart. Mein Telvine prouht me more as a million, as you know, but I should gladly gif her for Malfina dot haf not so pig a dot. "'But how much has she? "'I do not know precisely; boot she haf somdings.
Bellermann, who defends through thick and thin the unity and consistency of the original 'Fiesco', thinks that it is from first to last a tragedy of vaulting ambition, not a political play at all, but a character play, and that no other idea ever entered Schiller's mind. The Fugitive in Hiding Ich kann nicht Fuerstendiener sein. 'Don Carlos'.
Knaus unwittingly wrote his character and his epitaph: "Ich kann warten." The forest of Les Errues was deathly still. Hunters and hunted both were as silent as the wild things that belonged there in those dim woods as cautious, as stealthy. A dim greenish twilight veiled their movements, the damp carpet of moss dulled sounds.
No autocrat could have done so much. As early as 1887 Auer, Bebel, and Liebknecht outlined the programme of the party, and this programme, again revised at Erfurt in 1891, stands as the expression of their demands. They claim that: "Die Arbeiterklasse kann ihre ökonomischen Kämpfe nicht führen und ihre ökonomische Organisation nicht entwickeln ohne politisehe Rechte."
The fate that threatens me is frightful. Aber ich kann nicht anders. The truth holds me in a vice. 'Let me give you a piece of counsel. You sit too close to your books. You read and read, you spin yourself into your own views like a cocoon. Travel hear what others say above all, go into retreat! No one need know. It would do you much good.
Kann danzen nu, un kann ock spinnen, Denn alle mine teigen Finger, De dohn nich mihr weh, De dohn nioh mihr weh! A pretty pair of shoes for thee! Alas, my mother! let me hear What use are pretty shoes to me! I cannot dance I cannot spin: And why these promised shoes to win! O mother mine. I will not take Thy kindly gift. My fingers ache! Spin, spin, my little daughter dear!
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[Footnote 13: See Introduction to “Briefe über Merkwürdigkeiten der Litteratur” in Seuffert’s Deutsche Litteraturdenkmale des 18. und 19. Jahrhunderts. The literature of this study of imitation in the Germany of the second half of the eighteenth century is considerable. The effort of much in the Litteratur-Briefe may be mentioned as contributing to this line of thought. The prize question of the Berlin Academy for 1788 brought forth a book entitled: “Wie kann die Nachahmung sowohl alter als neuer fremden Werke der schönen Wissenschaften des vaterländischen Geschmack entwickeln und vervollkommnen?” by Joh. Chr. Schwabe, professor in Stuttgart. (Berlin, pp. 120; reviewed in Allg. Litt. Zeitung. 1790. I, pp. 632-640.) Perhaps the first English essay upon German imitation of British masters is that in the Critical Journal, Vol. III, which was considered of sufficient moment for a German translation. See Morgenblatt, I, Nr. 162, July 8, 1807. A
You spoil him completely, Eleonora Karpovna. Eleonora Karpovna fired up angrily. 'Aber was kann ich denn, Ivan Demianitch... 'All right, all right, don't squabble! Bleibe ruhig, hast verstanden? Alexander Daviditch! at your service, sir! The children had promptly done as their father had told them. The music-stands were set up, the music began.
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