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"Mon role de familier dans une veritable population d'enrichis me donnait du credit dans les boudoirs, et mon credit dans les boudoirs ajoutait a ma faveur pres ces pauvres diables de millionaires, presque tous vieux et blases, courant toujours en chancelant apres un plaisir nouveau.

Correct any errors in spelling which you find in the following sentences, writing your letters so plainly that no one of them can be mistaken: Unquestionebly every federil offeser should be able to spell corectly the familier words of his own languege. Lose her hankercheif and elivate her head immediatly or she will spedily loose her life by strangelation. Question 1.

Si vous estes assis, lors que quelq'vn vous vient rendre visite, leuez-vous dés qu'il approche; si la dignité de la personne demande cette deference, comme s'il a quelque aduantage sur vous, s'il vous est égal, ou inferieur; mais non pas fort familier. Si vous vous reposez chez vous, ayant quelque siege, faites en soite de traiter chacun selon son merite.

C'est la qu'il acquit la connaissance approfondie de notre langue; il en avait saisi les nuances delicates; il connaissait toute notre litterature. Je ne connais guere d'etrangers qui puissent parler, comprendre, ecrire le francais mieux que lui. 'L'allemand ne lui etait pas moins familier.

It is, perhaps, as a psychologist that Racine has achieved his most remarkable triumphs; and the fact that so subtle and penetrating a critic as M. Lemaître has chosen to devote the greater part of a volume to the discussion of his characters shows clearly enough that Racine's portrayal of human nature has lost nothing of its freshness and vitality with the passage of time. On the contrary, his admirers are now tending more and more to lay stress upon the brilliance of his portraits, the combined vigour and intimacy of his painting, his amazing knowledge, and his unerring fidelity to truth. M. Lemaître, in fact, goes so far as to describe Racine as a supreme realist, while other writers have found in him the essence of the modern spirit. These are vague phrases, no doubt, but they imply a very definite point of view; and it is curious to compare with it our English conception of Racine as a stiff and pompous kind of dancing-master, utterly out of date and infinitely cold. And there is a similar disagreement over his style. Mr. Bailey is never tired of asserting that Racine's style is rhetorical, artificial, and monotonous; while M. Lemaître speaks of it as 'nu et familier, and Sainte-Beuve says 'il rase la prose, mais avec des ailes, The explanation of these contradictions is to be found in the fact that the two critics are considering different parts of the poet's work. When Racine is most himself, when he is seizing upon a state of mind and depicting it with all its twistings and vibrations, he writes with a directness which is indeed naked, and his sentences, refined to the utmost point of significance, flash out like swords, stroke upon stroke, swift, certain, irresistible. This is how Agrippine, in the fury of her tottering ambition, bursts out to Burrhus, the tutor of her son: Prétendez-vous longtemps me cacher l'empereur? Ne le verrai-je plus qu'

One of them was Paul Verlaine who had begun with a volume of verse, the Poemes Saturniens, a rather ineffectual book where imitations of Leconte de Lisle jostled with exercises in romantic rhetoric, but through which already filtered the real personality of the poet in such poems as the sonnet Reve Familier.

His unobtrusive genius never occurs to us in following up his characters, and a whole scene leaves on our mind a complete but imperceptible effect. The style of Molière has often been censured by the fastidiousness of his native critics, as bas and du style familier. This does not offend the foreigner, who is often struck by its simplicity and vigour.

As I ketched the last glimpse of the old familier face of the sun, that I had seen so many times a-lookin' friendly at me through the maple trees at Jonesville, and that truly had seemed to be a neighbor, a-neighborin' with me, time and agin when I see him so peaceful and good-natured a-goin' to his nightly rest, I thought to myself

And there wuz that sort of a air about him, that I can't describe exactly a sort of a half offish, half familier and wholly disagreeable mean, that can be onderstood but not described. No, you can't picture that liniment, but you can be affected by it. Wall, Bial had it. And I kep' on a not likin' him, and kep' stiddy onwards a likin' Abram Gee. I couldn't help it, nor did'nt want to.

But it duz seem sort o' solemn to think how the sweet restful felin's that clings like ivy round the old familier door steps where old 4 fathers feet stopped, and stayed there, and baby feet touched and then went away I declare for't, it almost brings tears, to think how that sweet clingin' vine of affection, and domestic repose, and content how soon that vine gets tore up nowadays.