Sam was too sleepy and too irritated to observe at once that the table and chair were missing. He went to the door rubbing his eyes. He rattled the latch impatiently and swore under his breath. Perceiving the bar at last, he flung it back. "Were you afraid of robbers up here?" he muttered scornfully. "Close the door after you," commanded Jack.

The first one was an old woman, hump-backed and very ugly, but with a fascinating ugliness, who without my hearing her open the door, without my seeing any one rise to meet her, stole noiselessly to my side.

At the opposite end of the room are two full suits of armor, one Italian, and one English of the time of Henry V., the latter holding in its hands a stupendous two-handed sword, I suppose six feet long, and said to have been found on Bosworth field. Opposite to the door is the fireplace of freestone, imitated from an arch in the cloister at Melrose, with a peculiarly graceful spandrel.

But the Sultan did not wait to hear that his orders had been carried out before going on foot, followed by his whole court to the door of the great mosque, and drawing the Sultana with his own hand out of the narrow prison where she had spent so many years, "Madam," he cried, embracing her with tears in his eyes, "I have come to ask your pardon for the injustice I have done you, and to repair it as far as I may.

I also felt very much in want of some refreshment, and I remembered that since breakfast I had taken nothing. I was now in the Strand, and, glancing about, I perceived that I was close by an hotel, which bore over the door the somewhat remarkable name of Holy Lands.

She went on, however, very gravely with her knitting, and did not even make an attempt to catch her husband's eye. "Margaret," said John Ball, as soon as he had shut the study door; "but, perhaps, you had better sit down." Then she sat down, and he came and seated himself opposite to her; opposite her, but not so close as to give him any of the advantages of a lover.

A box of water-colours and fine brushes lay before him, and he had already transferred to a sheet of immaculate paper the delicate, finely-tinted disk. His back was turned toward the door, but he recognised his wife without looking round. "Excuse me for disturbing you," she said. "When I come to your room I always knock," he answered, going on with his work.

He was roused by three light raps at his door. It was Roland who came to see how he had passed the night. He found him radiant as the sun playing among the already yellow leaves of the chestnuts and the lindens. "Oh! oh! Sir John," cried Roland, "permit me to congratulate you.

At the rear the outer door opens and the SHERIFF comes in followed by the COUNTY ATTORNEY and HALE. The SHERIFF and HALE are men in middle life, the COUNTY ATTORNEY is a young man; all are much bundled up and go at once to the stove. They are followed by the two women the SHERIFF's wife first; she is a slight wiry woman, a thin nervous face.

It is something like the difference between live metaphor and dead personification. Primarily, the action of the imagination is the same in the mythologizer and the poet, that is, it forces its own consciousness on the objects of the senses, and compels them to sympathize with its own momentary impressions. When Shakespeare in his "Lucrece" makes "The threshold grate the door to have him heard,"