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Updated: June 28, 2025


"Mile. Sontag, before she appeared at the opera, sang at the houses of Prince Esterhazy and the Duke of Devonshire. An immense crowd assembled in front of the theatre on the evening of her début at the opera. The crush was dreadful; and when at length the half-stifled crowd managed to find seats, 'shoes were held up in all directions to be owned. The audience waited in breathless suspense for the rising of the curtain; and when the fair cantatrice appeared, the excited throng could scarcely realize that the simple English-looking girl before them was the celebrated Sontag. On recovering from their astonishment, they applauded her warmly, and her lightness, brilliancy, volubility, and graceful manner made her at once popular. Her style was more florid than that of any other singer in Europe, not even excepting Catalani, whom she excelled in fluency, though not in volume; and it was decided that she resembled Fodor more than any other singer which was natural, as she had in early life imitated that cantatrice. Her taste was so cultivated that the redundancy of ornament, especially the obligato passages which the part of Rosina presents, never, in her hands, appeared overcharged; and she sang the cavatina 'Una voce poco f

The type of this class is glory's porter, speculation's trumpeter, the electorate's Bonneau. He is set in motion by a ballet-dancer, a cantatrice, an actress; in short, he is a brigand-captain, with other brigands under him. And of the latter: There are the Premiers Paris, alias, first tenors. In writing Premiers Paris, it is impossible for a man to avoid mental warp and rapid deterioration.

"Fair as a lily bloomin' in May, Sweeter than roses, bright as the day! Everyone who knows her feels her gentle power, Rosalie the Prairie Flower." "'On this yere o'casion I'm so far fortunate as to be five drinks ahead an' tharfore would sooner listen to myse'f talk than to the warblin' of the cantatrice. As it is, I'm conversin' with a gent who's standin' hard by.

And the contretemps of the last minute a sudden death that disarranges the bridal party; a wretched cold that prevents a favorite cantatrice from singing, and so forth, and so forth. Those poor Blanchards! They will never be ready, and they thought they had foreseen everything! Such has been their existence for a month.

"Why, of course, I sent on the manager to say that Mademoiselle Schwaub had been taken seriously ill; that we had been fearing we must break faith with the public for the first time; but that a cantatrice, who had left the stage, appreciating our difficulty, had, with rare kindness, come to our aid for this one night: we felt sure a Humbug audience what am I saying? a Homburg audience would appreciate this, and make due allowance for a performance undertaken in such a spirit, and with imperfect rehearsals, etc. in short, the usual patter; and the usual effect, great applause.

Svengali hypnotizes her, and, beneath his magic spell she becomes the greatest cantatrice in Europe. Hypnotism is a power but little understood; so we must permit Du Maurier to make such Jules Verne's excursions into that unknown realm as may please him. Had Svengali made a contortionist of the stiff old Devonshire vicar we could not cry "impossible."

Her struggles passed into the doomed CANTATRICE occupying days and nights under pressure for immediate payment; the silencing of friend Debit, ridiculously calling himself Credit, in contempt of sex and conduct, on the ground, that he was he solely by virtue of being she.

This Opera cantatrice, no beauty, though gentle, thrilling, winning, was his corner of romance. 'Do you come here often? he asked. 'Yes, I can't sleep. 'London at night, from the bridge, looks fine. By the way... 'It 's lonely here, that's the advantage, said Rainer; 'I keep silver in my pocket for poor girls going to their homes, and I'm left in peace.

She looked steadily at Rose now, or the flushed, intent face beside her, and throwing all her soul into the task, let her voice ring out like a silver clarion, filling the great hall and setting the hearers' blood a-tingle with the exulting strain. That settled Phebe's fate as a cantatrice.

Louise d'Armilly and her brother Léon; as has already been stated, the celebrated cantatrice had retired from the boards in consequence of having inherited a fortune of several millions of francs from the estate of her deceased father, who, rumor asserted, had been a very wealthy Parisian banker; Léon had abandoned the stage simultaneously with his sister, who had invited him to share her suddenly acquired riches, for, strange to say, the banker had not bequeathed to him a single sou.

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