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Its pleasures even are of a grave and solemn complexion, and in his happiest state the opium-eater can not present himself in the character of L'Allegro; even then he speaks and thinks as becomes Il Penseroso.
Quand un Chrétien se determine A voyager, Faut bien penser qu'il se destine A des dangers; Mille fois a ses yeux la mort Prend son image, Mille fois il maudit son sort Dans le cours du voyage. Quand tu seras dans les portages, Pauvre engagé, Les sueurs te couleront dea visages Pauvre affligé, Loin de jurer, si tu me crois, Dans ta colère, Pense
Tolstoi has been hardly treated by some translators and by many critics; in his own country, if you mention his name, you are as likely as not to be met by a shrug and an "Ah, monsieur, il divague un peu!" In his own country he has the censor always against him; some of his books he has never been able to print in full in Russian.
"Husban'," she would say, with a shrug of her shoulder, "il faut necessaire one must, I think, be sensible; is it not so? perrhaps in anozer world one may know from the beginning," and I often wondered if she had forgotten how something should leap up at her heart.
Il Rosso was first employed to carry out the ideas of Francois I. as to painting, and then Sebastian Serlio was summoned from Bologna in 1541 to fill the place of "surintendant des bastiments et architecte de Fontainebleau." Il Rosso-Giovambattista had been a Florentine pupil of Michelangelo, but refused to follow any master, having, as Vasari says, "a certain inkling of his own."
Horses were sent for, her maid aroused. She flung on her habit, and held her hand out for her chapeau. There was none. "Mademoiselle should recall the new riding hat had been too small, had been returned for blocking." "Tres bien, le vieux donc, vite!" "Oh, mon Dieu, il fut donné." A quick blow stopped further explanation.
But it is comparatively rare at any rate as the formula of a whole play. In individual scenes a conflict of will is frequent enough; but it is, after all, only one among a multitude of equally telling forms of drama. No one can say that the Balcony Scene in Romeo and Juliet is undramatic, or the "Galeoto fú il libro" scene in Mr.
Richard Haines, fruiterer to Henry VI IL, imported a number of cherry trees from Flanders, and planted them at Tenham, in Kent. and send a letter to the Hope, where the Fleete lies. And so, it being rainy, and thundering mightily, and lightning, we returned.
"Everything," she would answer another time, "is making me happy." "I think I am happiness," she said once. How could she naturally be other than happy, seeing she came of happiness! "Il lieto fattore," says Dante; "whose happy-making sight," says Milton. Mr. Wylder went and dined with sir Wilton and lady Ann. The latter did her poor best to please him, and was successful.
That was the name they had given him; he could hear the night crowds shouting it in a silly couplet: Il nous faut-o Beau Cocono-o! And then what a change within a week! What bitterness and humiliation! M. Paul Coquenil, after scores of brilliant successes, had withdrawn from the police force for personal reasons, said the newspapers.
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