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Updated: July 26, 2025
Yet it was the same as ever; its walls tinted a deep rose, with their hangings of dull cloth-of-gold, its lights discriminatingly clustered and discreetly shaded, redoubled in half a hundred mirrors, its subdued shimmer of plate and glass, its soberly festive assemblage of circumspect men and women splendidly gowned, its decorously muted murmur of voices penetrated and interwoven by the strains of a hidden string orchestra caressed his senses as always, yet with a difference.
It is in this wise that his individuality is preserved to him. "I war jes wantin' ter know ef them words war on the rocks," he said with a disingenuousness worthy of a higher culture. She received this with distrust. "I kin tell ye now they ain't," she said, discriminatingly; "Pur-dee's words don't sound like them."
She turned her criticism of her doctor into a compliment to her brother's widow by adding, "Whatever he would do without Julia to look after him, I'm sure none of us can imagine." "He is a very original character," said Miss Burgess, discriminatingly. Madeleine dismissed the subject with a compendious, "He's the most killingly, screamingly funny little man that ever lived!"
The Allgemeine deutsche Bibliothek reviews both the Bode and Mittelstedt renderings, together with Bode’s translation of Stevenson’s continuation, in the second volume of the Anhang to Volumes I-XII. The critique of Bode’s work defines, largely in the words of the book itself, the peculiar purpose and method of the Journey, and comments briefly but with frank enthusiasm on the various touching incidents of the narrative: “Nur ein von der Natur verwahrloseter bleibt dabei kalt und gleichgültig,” remarks the reviewer. The conception of Yorick’s personal character, which prevailed in Germany, obtained by a process of elimination and misunderstanding, is represented by this critic when he records without modifying his statement: “Various times Yorick shows himself as the most genuine foe of self-seeking, of immoral double entendre, and particularly of assumed seriousness, and he scourges them emphatically.” The review of the third and fourth parts contains a similar and perhaps even more significant passage illustrating the view of Yorick’s character held by those who did not know him and had the privilege of admiring him only in his writings and at a safe distance. “Yorick,” he says, “although he sometimes brings an event, so to speak, to the brink of an indecorous issue, manages to turn it at once with the greatest delicacy to a decorous termination. Or he leaves it incomplete under such circumstances that the reader is impressed by the rare delicacy of mind of the author, and can never suspect that such a man, who never allows a double entendre to enter his mind without a blush, has entertained an indecent idea.” This view is derived from a somewhat short-sighted reading of the Sentimental Journey: the obvious Sterne of Tristram Shandy, and the more insidiously concealed creator of the Journey could hardly be characterized discriminatingly by such a statement. Sterne’s cleverness consists not in suggesting his own innocence of imagination, but in the skill with which he assures his reader that he is master of the situation, and that no possible interpretation of the passage has escaped his intelligence. To the Mittelstedt translation is accorded in this review the distinction of being, in the rendering of certain passages, more correct than Bode’s. A
To those who are in sympathy with his own way of thinking he must always possess an extraordinary attraction; perhaps he is not least, though he may be more discriminatingly, admired by those who are very much out of sympathy with him on not a few points of subject, but who are one with him in the Humanities in the sense and the love of the great things in literature.
We must believe that the highest lessons of ancient Art have, in a great measure, been unrecognized by Mr. Powers. The external has been studied. No man can talk more justly of that exquisite line of the Venus de' Medici's temple and cheek, or point out more discriminatingly the beauties of the Milo statue, or detect more quickly the truths of the antique busts.
He knew something of many things, had a wonderful assortment of talents could sing, could play piano or violin, could compose, could act, could do mystifying card tricks, could order women's clothes as discriminatingly as he could order his own all these things a little, but nothing much except making a success of musical comedy and comic opera.
And let me add that the apocryphal slanderer, the person who never says but hints all sorts of malicious things, is the worst sort of scandal-monger. The cultivated conversationalist who talks gossip in its intellectual form does not indulge in oblique hints and insinuations. He says what he has to say intrepidly because he says it discriminatingly.
The joke or scandal of the day is discussed; strangers in town, or literary and artistic lights—“freaks,” they are discriminatingly called—are pointed out, toilets passed in review, and those dreadful two hours passed which, for some undiscovered reason, must elapse between a dinner and a dance.
Coat and waistcoat had been removed, as he discriminatingly applied the dry cosmetics with skill which suggested that he had disguised himself for daylight purposes far more than he would admit. By the time he had powdered his thick locks with the white pulverized chalk, and donned a pair of horn-rim glasses of amber tint, his whole personality had changed.
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