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But in the large towns he is usually excellent company, though as discursive as Sterne, and strangely indifferent, for a man of imagination, to those superficial aspects of things which the poor pages now before the reader are mainly an attempt to render.

"I may yet lose my life at this fooling let alone my chance," Sterne mumbled angrily to himself, after the stooping back of the chief engineer had disappeared round the corner of the skylight. Yes, no doubt he thought; but to blurt out his knowledge would not advance his prospects. On the contrary, it would blast them utterly as likely as not. He dreaded another failure.

One of the greatest of German writers, Jean Paul Richter, declares more than once that he regards Sterne as his master. The statement is amazing. Jean Paul Richter, Jean Paul the Only One, as he was fondly called, was immeasurably sincerer than his master. All that was sham, tinsel, and tawdry in the writings of Yorick was genuine, heart-felt, and soul-inspiring in Jean Paul.

To bring out the beauty of a character by means of its external oddities is the triumph of a kindly humourist; and Boswell would have acted as absurdly in suppressing Johnson's weaknesses, as Sterne would have done had he made Uncle Toby a perfectly sound and rational person.

And while on this subject of the stage let us pause for a moment to glance at an incident which connects Sterne with one of the most famous of his French contemporaries. He has been asked "by a lady of talent," he tells Garrick, "to read a tragedy, and conjecture if it would do for you.

They have been all liberally educated. They all lie under the restraints of the same sacred profession. They are all young. They are all in love. Not any one of them has any hobby-horse, to use the phrase of Sterne. Not one has any ruling passion, such as we read in Pope. Who would not have expected them to be insipid likenesses of each other? No such thing.

His friends have seen him destroy a finished picture because, in his eyes, it looked too smooth. "It is overdone," he would say; "it is niggling work." With his eccentric, yet lofty nature, with a nervous organization and all that it entails of torment and delight, the craving for perfection becomes morbid. Intellectually he is akin to Sterne, though he is not a literary worker.

Fitzgerald, to whose researches we owe as much light as is ever likely to be thrown upon this obscure and probably not very interesting period of Sterne's life, has pointed out that Richard Sterne, eldest son of the late Simon Sterne, and uncle, therefore, of Laurence, was one of the governors of Halifax Grammar School, and that he may have used his interest to obtain his nephew's admission to the foundation as the grandson of a Halifax man, and so, constructively, a child of the parish.

The gentleman fired up at the charge, and said very angrily, "I am Mr. T., sir." "And I am Mr. Sheridan," was the reply. The jest was instantly seen; they shook hands, and instead of voting against the facetious orator, the lawyer exerted himself warmly in promoting his election. Sterne. Sterne used to relate a circumstance which happened to him at York.

Sterne's matrimonial relations are the most famous of all: and though posterity has, with its usual charity, constructed a legend for the pair which is probably much worse than the reality, that reality is more than a little awkward. Mrs. Sterne was a Miss Lumley, of a good Yorkshire family, some, though small, fortune, and more friends who exerted themselves for her husband.