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[Footnote 2: The reviewer in the Allg. deutsche Bibl. (Anhang I-XII, vol. II, p.

Anhang, I-XII, Vol. II, pp. 896-9. [Footnote 40: See Neue Bibl. der schönen Wissenschaften, LVIII, p.

A good brief account of the Revolution is in Smith's The Wars Between England, and America , chaps, I-VI; a fuller and better account in Channing's History of the United States, III, chaps. I-XII; all things considered the ablest summary is Lecky's The American Revolution. An able and suggestive work is Fisher's The Struggle for American Independence, 2 vols. 1908.

Cb. Cerebellum. M. Midbrain. P. Pons. B. Bulb. I-XII. Cranial nerves. *The Bulb*, or medulla oblongata, is, properly speaking, an enlargement of the spinal cord within the cranial cavity. It is somewhat triangular in shape, and lies immediately below the cerebellum. It contains important clusters of cell-bodies, as well as the nerve fibers that pass from the spinal cord to the brain.

The Allgemeine deutsche Bibliothek reviews both the Bode and Mittelstedt renderings, together with Bode’s translation of Stevenson’s continuation, in the second volume of the Anhang to Volumes I-XII. The critique of Bode’s work defines, largely in the words of the book itself, the peculiar purpose and method of the Journey, and comments briefly but with frank enthusiasm on the various touching incidents of the narrative: “Nur ein von der Natur verwahrloseter bleibt dabei kalt und gleichgültig,” remarks the reviewer. The conception of Yorick’s personal character, which prevailed in Germany, obtained by a process of elimination and misunderstanding, is represented by this critic when he records without modifying his statement: “Various times Yorick shows himself as the most genuine foe of self-seeking, of immoral double entendre, and particularly of assumed seriousness, and he scourges them emphatically.” The review of the third and fourth parts contains a similar and perhaps even more significant passage illustrating the view of Yorick’s character held by those who did not know him and had the privilege of admiring him only in his writings and at a safe distance. “Yorick,” he says, “although he sometimes brings an event, so to speak, to the brink of an indecorous issue, manages to turn it at once with the greatest delicacy to a decorous termination. Or he leaves it incomplete under such circumstances that the reader is impressed by the rare delicacy of mind of the author, and can never suspect that such a man, who never allows a double entendre to enter his mind without a blush, has entertained an indecent idea.” This view is derived from a somewhat short-sighted reading of the Sentimental Journey: the obvious Sterne of Tristram Shandy, and the more insidiously concealed creator of the Journey could hardly be characterized discriminatingly by such a statement. Sterne’s cleverness consists not in suggesting his own innocence of imagination, but in the skill with which he assures his reader that he is master of the situation, and that no possible interpretation of the passage has escaped his intelligence. To the Mittelstedt translation is accorded in this review the distinction of being, in the rendering of certain passages, more correct than Bode’s. A