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Updated: June 2, 2025


"All ready forward?" shouted the captain, as soon as he saw the crew at their several posts. "Aye, aye, sorr," replied Mr McCarthy. "Ready, aye ready," repeated the captain it was a sort of catch-word of warning to prepare the men for the next word of command, like the "'Tention!" of the drill sergeant to his squad of recruits and he then waved his hand to the man at the wheel to put up the helm.

After all, these are only details in the great undertaking. As we say of every disaster, "They will not affect the final result." It is getting to be a catch-word, but it is true. Germany is absolutely right in considering Great Britain her greatest enemy. She knows today that, even if she could get to Paris or Petrograd, it would not help her. She would still have Britain to settle with.

Then he suddenly rose and took his leave, with a characteristic omission of the usual "Well, I must be off," or any such catch-word. He certainly left a great deal unsaid which this babbling world expects. He walked along the crowded streets, absorbed in his own thoughts, for some distance.

I used to like to put the leak into folks wunst, but I have given it up in disgust now." "Why?" sais he. "Because," sais I, "if you put a leak into a cask that hain't got much in it, the grounds and settlin's won't pay for the trouble. Our people talk a great deal of nonsense about emancipation, but they know it's all bunkum, and it serves to palmeteer on, and makes a pretty party catch-word.

Their interests had hitherto been concentrated in the string of whalers being towed down to the distant starting-point by a picket boat. Before they could rally their forces a cross-fire of rude chaff, winged by uproarious laughter, had opened on either side. Catch-word and jest, counter and repartee utterly unintelligible to anyone outside Lower-deck circles were hurled to and fro like snowballs.

The effect of the adoption by the Supreme Court of the United States of the New York theory of the Police Power was to vest in the judiciary, by the use of this catch-word, an almost unparalleled prerogative.

The bewildering thing is that the facts themselves never seem to offend you; only the mention of them." "It would take too long to go into this subject," said Henriette. "I can only repeat that I fail to understand your extraordinary views of the holiest of human instincts." "That catch-word!

"Dermod is old, his estates are going to ruin, and there are other things. You know, Jack?" The direct appeal he had to repeat, and even then Durrance answered it absently: "Yes, I know," and he added, like one quoting a catch-word. "If you want any whiskey, rap twice on the floor with your foot. The servants understand." "Precisely," said Feversham.

Some of an old man's jests may be found in Jocoseria, some of an old man's imaginative passion in Asolando, and in both volumes, and still more clearly in Ferishtah's Fancies may be seen an old man's spirit of acquiescence, or to use a catch-word of Matthew Arnold, the epoch of concentration which follows an epoch of expansion.

Otto Rank in his book, "Das Inzest-Motiv in Dichtung und Sage," furnishes a beautiful and convincing example of such repression: It comes from a second drama based on a king's murder, "Julius Cæsar." I quote from the author's words: "A heightened significance and at the same time an incontrovertible conclusiveness is given to our whole conception and interpretation of the son relationship of Brutus to Cæsar by the circumstance that in the historical source, which Shakespeare evidently used and which he followed almost word for word, namely in Plutarch, it is shown that Cæsar considered Brutus his illegitimate son. In this sense Cæsar's outcry, which has become a catch-word, may be understood, which he may have uttered again and again when he saw Brutus pressing upon his body with drawn sword, 'And you too my son Brutus? With Shakespeare the wounded Cæsar merely calls out, 'Et tu Brute! Then fall, Cæsar! Shakespeare has set aside this son relationship of Brutus to Cæsar, though doubtless known to the poet, in his working out of the traditional sources. Not only is there deep psychic ground for the modifications to which the poet subjects the historical and traditional circumstances and characters or the conceptions of his predecessor, but also for the omissions from the sources. These originate from the repressive tendency toward the exposure of impulses which work painfully and which are restrained as a result of the repression, and this was doubtless the case with Shakespeare in regard to his strongly affective father complex." Rank has in the same work demonstrated that this father complex runs through all of Shakespeare's dramatic work, from his first work, "Titus Andronicus," down to his very last tragedy. I cannot go into detail on this important point for my task here is merely to explain Lady Macbeth's sleep walking, but any one who is interested may find overwhelming abundance of evidence in Rank's book on incest (Chapter

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