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Updated: July 7, 2025


A platform was erected in the centre of the nave, on the top of which, enthroned in pomp of purple and gold and splendour, sate the great cardinal, supported on each side with eighteen bishops, mitred abbots, and priors six-and-thirty in all; his chaplains and "spiritual doctors" sitting also where they could find place, "in gowns of damask and satin."

A brown figure was by the altar now to light the candles for Vespers; a taper was in his hand, and the spot of light at the end moved like a star against the gilding and carving. Ralph turned and went out. Then on the fourth of May he was present at the execution of the three priors and the two other priests at Tyburn.

Probably about 1190, Gilbert de Glanvill, who was Bishop of Rochester from 1185 to 1214, built a new cloister and the lower part of the outer wall of the south choir aisle as a portion of it. A great deal of work was done about that time to the conventual buildings by different priors and monks. Many records relating to it are gathered together in Mr. Ashpitel's paper.

After a first glance into Italian history the student recoils as from a chaos of inscrutable confusion. To fix the moment of transition from ancient to modern civilization seems impossible. There is no formation of a new people, as in the case of Germany or France or England, to serve as starting-point. Differ as the Italian races do in their original type; Gauls, Ligurians, Etruscans, Umbrians, Latins, Iapygians, Greeks have been fused together beneath the stress of Roman rule into a nation that survives political mutations and the disasters of barbarian invasions. Goths, Lombards, and Franks blend successively with the masses of this complex population, and lose the outlines of their several personalities. The western Empire melts imperceptibly away. The Roman Church grows no less imperceptibly, and forms the Holy Roman Empire as the equivalent of its own spiritual greatness in the sphere of secular authority. These two institutions, the crowning monuments of Italian creative genius, dominate the Middle Ages, powerful as facts, but still more powerful as ideas. Yet neither of them controls the evolution of Italy in the same sense as France was controlled by the monarchical, and Germany by the federative, principle. The forces of the nation, divided and swayed from side to side by this commanding dualism, escaped both influences in so far as either Pope or Emperor strove to mold them into unity. Meanwhile the domination of Byzantine Greeks in the southern provinces, the kingdom of the Goths at Ravenna, the kingdom of the Lombards and Franks at Pavia, the incursions of Huns and Saracens, the kingdom of the Normans at Palermo, formed but accidents and moments in a national development which owed important modifications to each successive episode, but was not finally determined by any of them. When the Communes emerge into prominence, shaking off the supremacy of the Greeks in the South, vindicating their liberties against the Empire in the North, jealously guarding their independence from Papal encroachment in the center, they have already assumed shapes of marked distinctness and bewildering diversity. Venice, Milan, Genoa, Florence, Bologna, Siena, Perugia, Amalfi, Lucca, Pisa, to mention only a few of the more notable, are indiscriminately called Republics. Yet they differ in their internal type no less than in external conditions. Each wears from the first and preserves a physiognomy that justifies our thinking and speaking of the town as an incarnate entity. The cities of Italy, down to the very smallest, bear the attributes of individuals. The mutual attractions and repulsions that presided over their growth have given them specific qualities which they will never lose, which will be reflected in their architecture, in their customs, in their language, in their policy, as well as in the institutions of their government. We think of them involuntarily as persons, and reserve for them epithets that mark the permanence of their distinctive characters. To treat of them collectively is almost impossible. Each has its own biography, and plays a part of consequence in the great drama of the nation. Accordingly the study of Italian politics, Italian literature, Italian art, is really not the study of one national genius, but of a whole family of cognate geniuses, grouped together, conscious of affinity, obeying the same general conditions, but issuing in markedly divergent characteristics. Democracies, oligarchies, aristocracies spring into being by laws of natural selection within the limits of a single province. Every municipality has a separate nomenclature for its magistracies, a somewhat different method of distributing administrative functions. In one place there is a Doge appointed for life; in another the government is put into commission among officers elected for a period of months. Here we find a Patrician, a Senator, a Tribune; there Consuls, Rectors, Priors, Ancients, Buonuomini, Conservatori. At one period and in one city the Podest

It can readily be believed with what interest and surprise the proud Italian, who had seen nothing of the kind in his own land of high civilization, must have witnessed our parliaments regularly meeting, as had been the case for generations, since the reign of Edward I. in 1293, knights and burgesses popularly elected by the inhabitants of the counties and boroughs sitting in council with the king, surrounded by his barons and bishops, priors who were peers and abbots who had mitres.

Messer Simone's plan had, as we now learned, been applauded by all the magnates, such as Messer Corso Donati and Messer Vieri dei Cerchi, and had received the approval of the priors of the city. As the scheme was due to Messer Simone, it was agreed on all hands that he should be its leader so long as the Republic of Florence was in a state of war.

He felt sure that the inhabitants of Astley Priors would not interfere with him up to a certain point. It was after that that Tommy proposed to give them a surprise. About twelve o'clock, however, his calm was rudely shaken. He was told that some one was demanding him in the bar. The applicant proved to be a rude-looking carter well coated with mud.

But as, unfortunately, society has neglected to inform him of the state of the Cannibal Island labour-market, or to pay his passage thither when informed thereof, he has had to choose in the somewhat limited labour-field of the Whitford Priors' union, whose workhouse is already every winter filled with abler- bodied men than he, between starvation and this . Well, as for employing him, one would have thought that there was a little work waiting to be done in those five miles of heather and snipe-bog, which I used to tramp over last winter but those, it seems, are still on the "margin of cultivation," and not a remunerative investment that is, to capitalists.

He then speaks of the different reredoses, tombs of two priors, silver candlesticks, a great silver cross made by Eytor Gonsalves, a goldsmith of Lisbon, much other church plate, and then goes on to say that a lectern was ordered for the choir but was not made and was much needed, as was a silver monstrance, and that the monastery had no money to pay Christovam de Figueiredo for painting the great reredos of the high altar and those of the other chapels, 'and, Sir, it is necessary that they should be painted.

At Durham Turgot and Simeon threw into Latin shape the national annals to the time of Henry the First with an especial regard to northern affairs, while the earlier events of Stephen's reign were noted down by two Priors of Hexham in the wild border-land between England and the Scots.

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