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It seems strange that any person can study the history of the Israelitish Exodus by the light of later developments in biblical research without recognizing the fact that the "Lord" which brought the children of Israel out from the bondage of Egypt was the male power, which by a certain sect had been proclaimed the only actual creative agency, and therefore the "only one and true God."

That the sole salvation lies in establishing a government enjoying the full confidence of the toiling masses, in the awakening of a creative revolutionary enthusiasm, and in concerted self-sacrificing work on the part of all the elements of the population.

All mythologies prove conclusively that ages elapsed before human beings were rash enough, or sufficiently blinded by falsehood and superstition, to attempt to construct a creative force unaided by the female principle.

While writing these reminiscences, I am continually impressed with the futility of the effort to give any creative truth to my sketch, so that it might produce such pictures in the reader's mind as would cause the original scenes to appear familiar when afterwards beheld. Nor have other writers often been more successful in representing definite objects prophetically to my own mind.

The demand to yield up his garden, and even the little house, for fifty years the scene of his study and creative work, for the sake of a statue, would be made. Since this had become a certainty, he had stood with his eyes fixed upon the ground.

These waters are not, as yet, separated from the dry land, because Brahma, the creative spirit of Narayana, has not yet separated from the "Ever Unchanging." Then comes a heavy shock of the whole mass and the waters begin to acquire transparency. Rays, proceeding from a golden egg at the bottom, spread through the chaotic waters.

She had come to appreciate Hooley as, in a sense, a creative genius who should have his mind perfectly free of all other subjects especially of annoying topics of thought if he was to turn out a thoroughly good picture. Hooley fairly lived in the picture while the scenes were being shot.

The mythical details and fables about the savage God are, indeed, different; the ethical, benevolent, admonishing, rewarding, and creative aspects of the Gods are apt to be the same. 'There is no necessity for beginning to tell even the most degraded of these people of the existence of God, or of a future state, 'the facts being universally admitted.

She saw, with the creative eye of fancy, the streets of that gay bathing-place covered with officers. She saw herself the object of attention, to tens and to scores of them at present unknown.

But the population was still, by blood and sympathy, very largely Celtic; and modern theorists are fond of tracing the new element of romance, which Virgil introduced with such momentous results into Latin poetry, to the same Celtic spirit which in later ages flowered out in the Arthurian legend, and inspired the whole creative literature of mediaeval Europe.

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