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Updated: June 24, 2025
The Caillebotte collection was installed under conditions which the ill-will of the administrators made at least as deplorable as possible. The works were crowded into a small, badly lighted room, where it is absolutely impossible to see them from the distance required by the method of the division of tones, and the meanness of the opposition was such that, the pictures having been bequeathed without frames, the keeper was obliged to have recourse to the reserves of the Louvre, because he was refused the necessary credit for purchasing them. The collection is however beautiful and interesting. It does not represent Impressionism in all its brilliancy, since the works by which it is composed had been bought by Caillebotte at a time, when his friends were still far from having arrived at the full blossoming of their qualities. But some very fine things can at least be found there. Renoir is marvellously represented by the Moulin de la Galette, which is one of his masterpieces. Degas figures with seven beautiful pastels, Monet with some landscapes grand in style; Sisley and Pissarro appear scarcely to their advantage, and finally it is to be regretted, that Manet is only represented by a study in black in his first manner, the Balcony, which does not count among his best pictures, and the famous Olympia whose importance is more historical than intrinsic. The gallery has separately acquired a Young Girl in Ball Dress by Berthe Morisot, which is a delicate marvel of grace and freshness. And in the place of honour of the gallery is to be seen Fantin-Latour's great picture Hommage
"Oh, because he makes people look so horrid; the way one looks on board ship, or early in the morning, or when one's hair is out of curl and one knows it. I'd so much rather be done by Mr. Cumberton!" Little Cumberton, the fashionable purveyor of rose-water pastels, stroked his moustache to hide a conscious smile.
She gave him no time to blush and hesitate over the impropriety of entering a lady's room at midnight, but stalked ahead with a brief "Come in." She opened a large portfolio covered with green-veined black paper and yanked out a dozen unframed pastels and wash-drawings which she scornfully tossed on the bed, saying, as she pointed to a mass of Marseilles roofs: "Do you see this sketch?
Many times superior to Lady Waterford is Miss Armstrong a lady in whose drawings of children we perceive just that light tenderness and fanciful imagination which is not of our sex. Perhaps memory betrays me; it is a long while since I have seen Miss Armstrong's pastels, but my impression is that Miss Armstrong stands easily at the head of English lady artists above Mrs.
A first visit to the museum proved startling. We had seen and admired the fifteen water-colours at the Luxembourg, among them the famous Apparition, but for the enormous number of pictures, oil, water-colour, pastels, drawings, cartons, studies, we were unprepared.
That is the case, for instance, with Legrand, with Steinlen, and with Renouard; and it is also the case with the lithographer Odilon Redon, who applies the values of Manet and, in his strange pastels, the harmonies of Degas and Renoir, placing them at the service of dreams and hallucinations and of a symbolism which is absolutely removed from the realism of these painters.
He thought of Maria Gerard as she looked the other day, when he met her going to work in the Louvre, so pretty in her short high-necked dress, her magnificent hair flying out from her close bonnet, and her box of pastels in her hand. How much more he preferred this simple rose, concealed among thorns, to all these too full-blown peonies!
This was another of the labors which he often intrusted to her to make drawings, aquarelles, and pastels, which he afterward used in his works as plates. Thus, for the past five years he had been making some curious experiments on a collection of hollyhocks; he had obtained a whole series of new colorings by artificial fecundations.
"But unhappily our Stanwood is so impractical. Probably he would have declined the commission. Atmospheric envelopes slowly en route to the dead letter office of dream pastels demand his whole attention. Painting is crass; he mildly cameos. Tonal nuances shades of imperceptible difference in the shadowy debatable land between things colored exactly alike claim his earnest interpretation.
Oh! how much I prefer Madame Julliard's pastels of fruit, those excellent Louis XV. pastels, which are in keeping with the old dining-room and its gray panels, defaced by age, it is true, but they possess the true provincial characteristics that go well with old family silver, precious china, and our simple habits. The provinces are provinces; they are only ridiculous when they mimic Paris.
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