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The salon was filled with the works of modern artists; there were landscapes by Dupre, with their long reeds and tall trees, their lowing oxen and marvellous skies; Delacroix's Arabian cavaliers, with their long white burnouses, their shining belts, their damasked arms, their horses, who tore each other with their teeth while their riders contended fiercely with their maces; aquarelles of Boulanger, representing Notre Dame de Paris with that vigor that makes the artist the rival of the poet; there were paintings by Diaz, who makes his flowers more beautiful than flowers, his suns more brilliant than the sun; designs by Decamp, as vividly colored as those of Salvator Rosa, but more poetic; pastels by Giraud and Muller, representing children like angels and women with the features of a virgin; sketches torn from the album of Dauzats' "Travels in the East," that had been made in a few seconds on the saddle of a camel, or beneath the dome of a mosque in a word, all that modern art can give in exchange and as recompense for the art lost and gone with ages long since past.

The two water-colour galleries are both highly favoured exhibitions, and present works of an importance quite equal to those of the Academy itself. Water-colour painting is indeed a national branch of art in England. Neither French, Germans, nor Italians, can presume for a moment to cope with us in the matter of aquarelles.

Priceless paintings and aquarelles were hanging on the walls, while on the tables, the etageres and the elegant cabinets, thousands of bric a brac and bibelots, statuettes, Dresden and Chinese vases, old ivories and Venice pottery peopled the large room with their precious and odd multitude. Hardly any were left by this time.

Seated on the corner of the divan, he drew her to his knees and gave to her kisses which she returned. She rose quickly. "Show me the other rooms. I am curious. I wish to see everything." He escorted her to the second story. Aquarelles by Philippe Dechartre covered the walls of the corridor. He opened the door and made her enter a room furnished with white mahogany: It was his mother's room.

These ice-pillars, crowned with masses of rock, form a very picturesque feature in the scenery of the glacier, and are represented in many of the landscapes in which Swiss artists have endeavored to reproduce the grandeur and variety of Alpine views, especially in the masterly Aquarelles of Lory. The English reader will find them admirably well described and illustrated in Dr.

Seated on the corner of the divan, he drew her to his knees and gave to her kisses which she returned. She rose quickly. "Show me the other rooms. I am curious. I wish to see everything." He escorted her to the second story. Aquarelles by Philippe Dechartre covered the walls of the corridor. He opened the door and made her enter a room furnished with white mahogany: It was his mother's room.

Like Vernon Lee and like Mary Robinson, she had fallen in love with the life and art of Tuscany; and, without even finishing her Tristan, the first part of which had inspired in Burne-Jones dreamy aquarelles, she wrote Provencal verses and French poems expressing Italian ideas. She had sent her 'Yseult la Blonde' to "Darling," with a letter inviting her to spend a month with her at Fiesole.

Like Vernon Lee and like Mary Robinson, she had fallen in love with the life and art of Tuscany; and, without even finishing her Tristan, the first part of which had inspired in Burne-Jones dreamy aquarelles, she wrote Provencal verses and French poems expressing Italian ideas. She had sent her 'Yseult la Blonde' to "Darling," with a letter inviting her to spend a month with her at Fiesole.

However, Guys was little given to talk of any sort. He was loquacious only with his pencil, and from being absolutely forgotten after the downfall of the Second Empire to-day every scrap of his work is being collected, even fought for, by French and German collectors. Yet when the Nadar collection was dispersed, June, 1909, in Paris, his aquarelles went for a few francs.

His "Aquarelles" are a good example of his art in bijouterie. This collection includes eight songs and eight piano sketches. The first, "A Lullaby," begins with the unusual skip of a ninth for the voice. A subdued accentuation is got by the syncopation of the bass, and the yearning tenderness of the ending finishes an exquisite song.