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This is fine reasoning, and the ut ita loquar thrown in so carelessly, as if with a deprecatory wave of the hand for using a less classical locution than usual, strikes me as a very delicate touch indeed. Grimm tells us that he does not know when broomsticks, spits, and similar utensils were first assumed to be the canonical instruments of this nocturnal equitation.
Pliny apparently derived the word from the country-folk, always poor observers and inclined to extravagant denominations. The scholar accepted the rural locution, the work perhaps of the imagination of childhood, and applied it at hazard without informing himself more particularly.
He said that no man could desire more jolly or entertaining companions over a glass of "summut;" but that upon the road it was anything but desirable to meet them; there they were terrible, cursing and swearing, and thrusting the muzzles of their pistols into people's mouths; and at this part of his locution the old man winked, and said, in a somewhat lower voice, that upon the whole they were right in doing so, and that when a person had once made up his mind to become a highwayman, his best policy was to go the whole hog, fearing nothing, but making everybody afraid of him; that people never thought of resisting a savage-faced, foul-mouthed highwayman, and if he were taken, were afraid to bear witness against him, lest he should get off and cut their throats some time or other upon the roads; whereas people would resist being robbed by a sneaking, pale-visaged rascal, and would swear bodily against him on the first opportunity, adding, that Abershaw and Ferguson, two most awful fellows, had enjoyed a long career, whereas two disbanded officers of the army, who wished to rob a coach like gentlemen, had begged the passengers' pardon, and talked of hard necessity, had been set upon by the passengers themselves, amongst whom were three women, pulled from their horses, conducted to Maidstone, and hanged with as little pity as such contemptible fellows deserved.
Knowing what was to come, and thoroughly nerved to confute the main incident, Richard barely listened to his barbarous locution: but when the recital arrived at the point where the Bantam affirmed he had seen "T'm Baak'll wi's owen hoies," Richard faced him, and was amazed to find himself being mutely addressed by a series of intensely significant grimaces, signs, and winks. "What do you mean?
As all language has acquired its meaning, and did not have it in the beginning, so the man who launches a new locution, the poet who creates a symbol, must do so without knowing what significance it may eventually acquire, and conscious at best only of the emotional background from which it emerged.
"The correlatives of that locution appear in other languages. The French has nous autres, the Italian, noi altri, the Spanish, nosotros." "And pray consider our own classical 'we-all," Mrs. Briscoe gayly interposed, surprised that she could pluck up the spirit for this interruption.
Hubbell had never been in Europe before, and they enjoyed themselves enormously. That is to say, Mrs. Orson J. did, and Orson, seeing her happy, enjoyed himself vicariously. His hand slid in and out of his inexhaustible pocket almost automatically now. And "How much?" was his favourite locution. They went everywhere, did everything. Mary boasted a pretty fair French. Mrs.
But who spoke to you of this?" "Mr. Whitford himself. And let me give you my opinion, Willoughby, that he will take Crossjay with him rather than leave him, if there is a fear of the boy's missing his chance of the navy." "Marines appear to be in the ascendant," said Sir Willoughby, astonished at the locution and pleading in the interests of a son of one. "Then Crossjay he must take.
They were a compensation for something that was weakening within. I have preferred to take up in some detail the analysis of our hesitation in using a locution like "Whom did you see?" and to point to some of the English drifts, particular and general, that are implied by this hesitation than to discuss linguistic change in the abstract.
To their brilliant facility, their prodigious abundance, and the dazzling luxury of color in their pictures of life he opposes a style always simple, pure, clear, with delicacy of touch, careful drawing of character, correct locution, and absolute chastity. Yet, even though he had this marked regard for purity in literary style, no writer had more dislike of mere pedantry.
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