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Updated: June 18, 2025
Laurent Tailhade has an admirable passage in his Platres et Marbres, which is well worth reproducing in this connection: "Toutefois, les Hellènes, dans, leurs cités de lumière, de douceur et d'harmonie, avaient une indulgence qu'on peut nommer scientifique pour les troubles amoureux de l'esprit. Plus tard, le christianisme enveloppa les âmes de ténèbres. Ce fut la grande nuite.
It seemed to be about love and a bel amoureux, her handsome sweetheart; and I wished I could have taken up the strain and answered her, as I went on upon my invisible woodland way, weaving, like Pippa in the poem, my own thoughts with hers. What could I have told her? Little enough; and yet all the heart requires.
It seemed to be about love and a BEL AMOUREUX, her handsome sweetheart; and I wished I could have taken up the strain and answered her, as I went on upon my invisible woodland way, weaving, like Pippa in the poem, my own thoughts with hers. What could I have told her? Little enough; and yet all the heart requires.
"Napoleon's favorite wine, and mine evidence of the sympathy that exists between the truly great." And, draining the glass, he burst into a song in praise of French wines, beginning "Le Chambertin rend joyeux, Le Nuits rend infatigable, Le Volnay rend amoureux, Le Champagne rend amiable.
Void vostre galand! a moi pour recompence Vous pouvez faire une humble et douce reverence! Adieu, l'evenement trompe un peu mes souhaits; Mais tous les amoureux ne sont pas satisfaits." GRAND DUKE OF NOUMARIA, formerly LOUIS DE SOYECOURT, tormented beyond measure with the impertinences of life. COMTE DE CHATEAUROUX, cousin to the Grand Duchess, and complies with circumstance.
The Adevineaux Amoureux, printed at Bruges by Colard Mansion, are astonishing indeed when one considers that they were the little society diversions of the Duchesses of Burgundy and of the great ladies of a court more luxurious and more refined than the French court, which revelled in the Cent Nouvelles of good King Louis XI. Rabelais' pleasantry about the woman folle a la messe is exactly in the style of the Adevineaux.
Then she suffers these animals to torment me. I am angry to think that, in so short a space, I should have so entirely lost all power over myself! But where is the mortal that can look and not love? Were I myself not an actor in the play, how should I enjoy the perplexity of these French amoureux! There are I know not how many of them; each more busy than the other.
It seemed to be about love and a bel amoureux, her handsome sweetheart; and I wished I could have taken up the strain and answered her, as I went on upon my invisible woodland way, weaving, like Pippa in the poem, my own thoughts with hers. What could I have told her? Little enough; and yet all the heart requires.
When the last verse came, she seized the flag and knelt down; the audience shouted, "Debout!" All rose and listened standing to the conclusion, which was followed by mad applause. People seized upon every opportunity of obtruding their patriotism. One evening Le lion amoureux was given.
He was a most ultra specimen of le chevalier amoureux a mixture of Don Quixote and the Duc de Lauzun. Whenever he spoke of the present tense, even en professeur, he always gave a sigh to the preterite, and an anecdote of Bayard; whenever he conjugated a verb, he paused to tell me that the favourite one of his female pupils was je t'aime.
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