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Updated: June 21, 2025
Santley was a true pantophagist, but he was worsted in his first encounter with the American oyster: "I had often heard of the celebrated American oyster, which half a dozen people had tried to swallow without success, and was anxious to learn if the story were founded on fact.
Santley sing 'Why do the nations' when I see the thousands and thousands of people sitting entranced, then I say to myself, 'There is something grand and noble to speak to all these people to lift them above themselves, to give them this pure emotion, surely that is a great thing it is high, like religion it is a purification it is " But here she stopped, with a little gesture of despair.
Di Murska, Signors Foli, Perotti, and Rinaldini, and Mr. Santley in the leading parts; in 1876, by Carl Rosa as "The Flying Dutchman," an English version; and again in 1877 as "Il Vascello fantasma." In this country the opera was introduced in its English form by Miss Clara Louise Kellogg.
Buck, in fact, made the German libretto as well as the English, and has written the words for many of his compositions. His largest work was "The Light of Asia," composed in 1885 and based on Sir Edwin Arnold's epic. It requires two and one-half hours for performance and has met the usual success of Buck's music; it was produced in London with such soloists as Nordica, Lloyd, and Santley.
MIOLAN-CARVALHO TAVENA | Mme. FAURE-LEFEBVRE. ANDRELUNO | VINCENZINA Mlle. In December, 1864, the opera was reduced to three acts, in which form it is still given. In this abridged shape, and with the addition of the waltz now placed in the finale, it was brought out in London with Titiens, Giuglini, Santley, and Trebelli in the cast. In English it is always given under the title of "Mirella."
Eating or drinking on the stage is always fraught with danger, as Charles Santley once discovered during Papageno's supper scene in The Magic Flute: "The supper which Tamino commands for the hungry Papageno consisted of pasteboard imitations of good things, but the cup contained real wine, a small draught of which I found refreshing on a hot night in July, amid the dust and heat of the stage.
"I ought to have told somebody about him before," sighed Whistler. "I had a feeling he wasn't using his real name." "Say! why should you worry? That Mr. Santley didn't think anything wrong of him until he found the letter in German in Blake's locker. And we did set Mr. MacMasters and the S. P. Eight-eighty-eight after him and the oil boat, didn't we?"
Santley. "That man Blake well, he doesn't seem to be in Elmvale now." "He came back on this evening's train," declared Whistler. "Are you sure? I have been waiting for him to show up here," cried Mr. Santley. "To tell the truth, young man, I have discovered some things here that I want him to explain.
Charles Santley, who was so fond of eating and drinking himself, offers some excellent advice on the subject in "Student and Singer": "How the voice is produced or where, except that it is through the passage of the throat, is unimportant; it is reasonable to say that the passage must be kept clear, otherwise the sound proceeding from it will not be clear.
Santley, grabbing his hat and banging down the roll top of his desk and locking it. "You've got me all stirred up now, boy." They hurried out of the office. Mr. Santley spoke in a low voice to the armed guard on the front steps. "If Blake comes here, hold him till I return," he said. "Do you understand? Hold him even if you have to knock him down and sit on him."
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