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A vain phrase; but eternal till the canvas fades and the walls decay, that is nearer the truth. Art is long and appreciation sometimes a chilly consolation. Let us stick to the eternal verities. As D'Annunzio has it: Quella musica silenziosa delle linee immobili era così possente che creava il fantasma quasi visibile di una vita più ricca e più bella.
Di Murska, Signors Foli, Perotti, and Rinaldini, and Mr. Santley in the leading parts; in 1876, by Carl Rosa as "The Flying Dutchman," an English version; and again in 1877 as "Il Vascello fantasma." In this country the opera was introduced in its English form by Miss Clara Louise Kellogg.
What does the average man do when he suddenly meets another coming hurriedly in an opposite direction? He places himself squarely in front of him and then begins a series of side-steps, first to one side and then the other, in exact accordance with those of the man he is trying to pass, like the mirror pantomime in Hanlon's Fantasma.
Not the Superba, Fantasma Paris of Anglo-Saxon fictioneers, not the Broadwayed, Strandified, dandified Paris of the Folies-Bergère and the Alcazar, but the Paris still primitive in innocent and unbribed pleasure.
If so many things were forbidden, a man in Germany would be privileged only to die and probably not that, unless he died according to a given formula; and certainly no human being with the possible exception of the comedian who used to work the revolving-door trick in Hanlon's Fantasma, could go out of and come into a place so often without getting dizzy in the head.
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