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Her declaration throws him into such a rage that he is about to strike her, but she disarms his anger by appealing to the memory of her mother. The last act opens on a barren, sunburnt plain. Andreluno appears, singing a pastoral song to the accompaniment of his bagpipe, followed by Mireille, who is toiling across the hot sands to meet her lover at the Chapel of the Virgin.
MIOLAN-CARVALHO TAVENA | Mme. FAURE-LEFEBVRE. ANDRELUNO | VINCENZINA Mlle. In December, 1864, the opera was reduced to three acts, in which form it is still given. In this abridged shape, and with the addition of the waltz now placed in the finale, it was brought out in London with Titiens, Giuglini, Santley, and Trebelli in the cast. In English it is always given under the title of "Mirella."
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