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Updated: June 25, 2025
This form of composition at once became fashionable. Luigi Pulci composed his Beca di Dicomano, which attained almost equal success and passed for the work of Lorenzo. It is, however, a far inferior production, in which the quaintness of the model is replaced by coarse caricature and its delicate rusticity by a cruder realism. Other imitations followed, but none bear comparison with Lorenzo's poem . It is in thought and expression rather than in actual language that these poems distinguish themselves from the literary pastoral. More noticeably dialectal is an anonymous Pescatoria amorosa printed about 1550. It is a Venetian serenade sung in the persons of fishermen, and possesses a certain grace of language: Symonds and D'Ancona alike remark, with perfect truth, that Lorenzo's rustic style, in spite of its sympathetic grace, is not altogether dissociated from burlesque. While free from the artificiality of court pastoral, it is equally distinct from the natural simplicity of the Theocritean idyl. Its flavour depends upon the half cynical, half kindly, amusement afforded by the contrast between the naïveté of the country and the familiar and conventional polish of town life. This theme had already caught the fancy of the song-writers of the fourteenth century, who produced some of the most delightful examples of native and unconventional pastoral anywhere to be found . Franco Sacchetti the novelist, for example, gives us a series of charming vignettes of country life and scenery, but always from the point of view of the town observer. One poem of his in particular gained wide popularity, and a modernized and somewhat altered version was iater printed among the works of Poliziano. It was originally a ballata, but I prefer to quote some stanzas from the traditional version: But if pastoralism made its appearance in the lyric, the lyric equally influenced pastoral, for it is in the songs of the fifteenth century that we first meet with that spirit of graceful melancholy sighing over the transitoriness of earthly things, the germ of the volutt
But when the authority of Poliziano was thrown upon the side of Italian and when he made such a triumphant demonstration of its beauties in his "Stanze" and his "Orfeo," he carried conviction to all the writers of his country.
The play itself, which is in five acts, and contains characters alike Olympian, Arcadian, and rustic, besides a hermit and a slave, is composed in a variety of metres terza rima, octaves both sdrucciole and piane, and in the style alike of Poliziano and Lorenzo, hendecasyllables both blank and with rimalmezzo, and lyrical stanzas.
The mob meanwhile were not idle, and most of the Pazzi were accounted for, together with many followers although Lorenzo publicly implored them to be merciful. Poliziano, the scholar-poet and friend of Lorenzo, has left a vivid account of the day. With his own eyes he saw the hanging Salviati, in his last throes, bite the hanging Francesco de Pazzi.
They express a genuine moment of the Renaissance with vigour, and deserve to be ranked with the Latin poetry of Poliziano, Bembo, and Pontano. The worst that can be said of them is that their inspiration was factitious, and that their motives had been handled better in the age of Greek sincerity.
Michael Angelo, while he yielded, perforce, to the caprices of his protector, turned the energies of his mind to a new study that of anatomy and pursued it with all that fervor which belonged to his character. His attention was at the same time directed to literature, by the counsels and conversations of a very celebrated scholar and poet then residing in the court of Piero Angelo Poliziano; and he pursued at the same time the cultivation of his mind and the practice of his art. Engrossed by his own studies, he was scarcely aware of what was passing around him, nor of the popular intrigues which were preparing the ruin of the Medici; suddenly this powerful family were flung from sovereignty to temporary disgrace and exile; and Michael Angelo, as one of their retainers, was obliged to fly from Florence, and took refuge in the city of Bologna. During the year he spent there he found a friend, who employed him on some works of sculpture; and on his return to Florence he executed a Cupid in marble, of such beauty that it found its way into the cabinet of the Duchess of Mantua as a real antique. On the discovery that the author of this beautiful statue was a young man of two-and-twenty, the Cardinal San Giorgio invited him to Rome, and for some time lodged him in his palace. Here Michael Angelo, surrounded and inspired by the grand remains of antiquity, pursued his studies with unceasing energy; he produced a statue of Bacchus, which added to his reputation; and in 1500, at the age of five-and-twenty, he produced the famous group of the dead Christ on the knees of his Virgin Mother (called the "Piet
He came to Florence as a poor adventurer himself a miller's son a `branny monster, as he has been nicknamed by our honey-lipped Poliziano, who agrees with him as well as my teeth agree with lemon-juice. And, by the by, that may be a reason why the secretary may be the more ready to do a good turn to a strange scholar.
"Not at all," said Nello, proceeding to clip the too extravagant curls; "your proportions are not those of a maiden. And for your age, I myself remember seeing Angelo Poliziano begin his lectures on the Latin language when he had a younger beard than yours; and between ourselves, his juvenile ugliness was not less signal than his precocious scholarship.
The jealousy of his own subjects was often roused by the favour with which Lodovico regarded scholars of other nationalities, and on one occasion a fierce quarrel arose between Merula and Poliziano, in which the Lombard historian stooped to the vilest personalities.
The, eclogues, twelve in number, appear to have been mostly composed about the middle of the fourteenth century. In the days of Petrarch the art of Latin verse was yet far from the perfection it attained in those of Poliziano and Vida; it was a clumsy vehicle in comparison with the vulgar tongue, which he affected to despise while setting therein the standard for future ages.
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