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Updated: July 17, 2025


The smell of young flesh. Peals of laughter. A breathless pianola. The tripping of dancing-feet. Voices husked with drink and voices soft with love. The shrill accents of vulgarity. Hustling waiters. Shop-girls. Bourgeois couples. Tired families of four and upward. Sleeping children. A boy selling candy. The crying of babies.

Tembarom, and the pianola was being played down-stairs rather loudly." "They do it every night, dang 'em! Right under my bed," growled Hutchinson. "You're an Englishman, aren't you?" "Yes." "So am I, thank God! " Hutchinson devoutly gave forth. Little Ann rose from her chair, sewing in hand. "Father'll come and sit with me in my room," she said. Hutchinson looked grumpy.

I never did think it was right to tempt Providence, and if there was a feather bed in the house I'd get on it. Can't the windows be lowered, Beth, and somebody start the pianola and turn on the lights? A thunderstorm like this gives me such a sinking feeling in my stomach I feel like I'm sitting on a trap-door with a broken catch. My love! there goes another one!" Mrs. Moon laughed and got up.

At one end a human pianola with drugged eyes hammered the keys with automatic and furious unprecision. At merciful intervals a waiter would roar or squeak a song songs full of "Mr. Johnsons" and "babes" and "coons" historical word guaranties of the genuineness of African melodies composed by red waistcoated young gentlemen, natives of the cotton fields and rice swamps of West Twenty-eighth Street.

Her little work-basket, with its embroidery, was home-like and pleasant. She had forgotten how to play, but she always kept the piano open. Bo-peep suggested buying a pianola, and Mrs. Martin thought it would be a good idea. "We'll have all the comic operas on it," said Bo-peep; "nothing of the classic order for me nothing over-my-head, but the popular tunes, plenty of them no stint.

At eleven o'clock she kissed her father good-night and passed out to the hall, where the pianola was still going, and where the merriment was still in full swing. For a quarter of an hour she was compelled to remain with the insipid young ass Bertie Girdlestone, a man who patronised musical comedy nightly, and afterwards supped regularly at the "Savoy"; then she escaped at last to her room.

I don't suppose it's finished yet, because I never play it exactly as I did before. I always seem to add a little bit to it. I do wish that I had had time to know more of music. What little I play I learned from a pianola." "A what?" she gasped. He laughed in a half-embarrassed way. "A pianola," he repeated.

Thank goodness, the young fellow had shaved off his half-toothbrushes, and no longer looked like a mountebank! With a girl friend of Fleur's who was staying in the house, and a neighbouring youth or so, they made two couples after dinner, in the hall, to the music of the electric pianola which performed Fox-trots unassisted, with a surprised shine on its expressive surface.

He looked at me curiously. "Only Harbison," he replied promptly. "Jim has been eating his heart out in the den every since dinner; Dal played the Sonata Appasionata backward on the pianola he wanted to put through one of Anne's lingerie waists, on a wager that it would play a tune; I played craps with Lollie, and Flannigan has been washing dishes. Why?" Well, that was conclusive, anyhow.

ZOE: Clap on the back for Zoe. Stephen stands at the pianola on which sprawl his hat and ashplant. With two fingers he repeats once more the series of empty fifths. Florry Talbot, a blond feeble goosefat whore in a tatterdemalion gown of mildewed strawberry, lolls spreadeagle in the sofacorner, her limp forearm pendent over the bolster, listening. Tie a knot on your shift.

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