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Thus at last she opens out upon Aeneas: 'And thou didst hope, traitor, to mask the crime, and slip away in silence from my land? Our love holds thee not, nor the hand thou once gavest, nor the bitter death that is left for Dido's portion? Nay, under the wintry star thou labourest on thy fleet, and hastenest to launch into the deep amid northern gales; ah, cruel!
"Let joy salute fair Rosamonda's shade, And wreaths of myrtle crown the lovely maid. While now perhaps with Dido's ghost she roves, And hears and tells the story of their loves, Alike they mourn, alike they bless their fate, Since Love, which made them wretched, made them great. Nor longer that relentless doom bemoan, Which gained a Virgil and an Addison."
I wept for Dido's death, who made herselfe away with the sword," he declares, "and even so, the saying that two and two makes foure was an ungrateful song in mine ears; whereas the wooden horse full of armed men, the burning of Troy, and the very Ghost of Creusa, was a most delightful spectacle of vanity."
Uncle John could not speak very highly of the learning of either; but he said, "Sam knows thoroughly what he does know. As to the other, he thinks he knows everything, and makes most awful shots. When I asked them who Dido's husband was, Sam told me he did not know, and Hal, that he was Diodorus Siculus AT LEAST, Scipio no, he meant Sicyon."
"He took Dido's paw out of a trap. He was very kind about it," I returned, conscious of Miss Bride's severe eye. "There was no philandering, child, now was there? You're not long out of short frocks. I can't imagine how the young gentleman came to be in your woods. You'd better forget all about him, but first tell me what he was like and all that happened." "Bride!
But throughout it is this refinement of feeling, this tenderness and sensitiveness to affection, that Vergil has loved to paint in the character of Æneas. To him Dido's charm lies in her being the one pitying face that has as yet met his own. Divine as he is, the child, like Achilleus, of a goddess, he broods with a tender melancholy over the sorrows of his fellow-men.
'Dido's Last Moments' and 'St Peter raising Tabitha' in Rome and in the Pitti Palace are fine examples of Guercino's work. His later pictures, like Guido's, are fascinating in softness, delicate colouring and tender sentiment, degenerating, however, into mannerism and insipidity, while his colouring becomes at last pale and washy. Albano, born 1578, died 1660.
But whether or not this rather improbable story be true, avarice and tyranny on the part of a brother seems to have roused the dormant power in Dido's nature; and the indomitable perseverance, fortitude, and faculty for government displayed by the outraged woman, were the forces which brought about the founding of a powerful nation.
The force selected for the expedition consisted of the Dido's pinnace, two cutters, and a gig, with Rajah Brooke's boat, the Jolly Bachelor, carrying a long six-pounder brass gun and thirty of the Dido's men. Several chiefs sent their fleets, so that the native force was considerable, and it caused no little trouble to keep them in order.
Even the gentle Virgil breaks forth at times into earnest invective, tipped with the flame of satire: Dido's bitter irony, Turnus' fierce taunts, show that he could wield with stern effect this specially Roman weapon.
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