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Thus, the cartoon of Julius II, which is called a Raphael and seems to be the sketch for one of the well-known portraits at the Pitti, Uffizi, or our National Gallery, is held to be not by Raphael at all.
The sense of wasted time, of wasted hope and faith, kept him constant company. There were times when the beautiful things about him only exasperated his discontent. He went to the Pitti Palace, and Raphael's Madonna of the Chair seemed, in its soft serenity, to mock him with the suggestion of unattainable repose.
In the Pitti palace the balustrade which crowns each story answers a similar purpose: it stands in no intimate relation to the gigantic arches below, but is of a height convenient for lounging elbows. The door to Giotto's campanile reveals the true size of the tower as nothing else could, because it is so evidently related to the human figure and not to the great windows higher up in the shaft.
I cannot say I persuaded him to come out with me; he simply suffered himself to be led, and when we began to walk in the open air I was able to appreciate his pitifully weakened condition. Nevertheless, he seemed in a certain way to revive, and murmured at last that he should like to go to the Pitti Gallery.
Other Judiths there are; two here, one next door in the Pitti, any number scattered over the galleries of Europe. There are Jacopo Palma of Venice and Allori of Florence who used the old story, the one to perpetuate a fat blonde, the other a handsome actress in a "strong" situation; there is Sodoma; there are Horace Vernet and the moderns, the Wests and Haydons of our grandfathers.
The so-called Concert of the Pitti Palace, which depicts a young Augustinian monk as he plays on a keyed instrument, having on one side of him a youthful cavalier in a plumed hat, on the other a bareheaded clerk holding a bass-viol, was, until Morelli arose, almost universally looked upon as one of the most typical Giorgiones.
Indeed many pictures of this class should perhaps be considered altogether as the productions of his school, at a time when that school was under his direct superintendence, and when it was enabled to imitate his finer characteristics in a remarkable degree. In this class are the Madonna dell'Impannata, in the Pitti, which takes its name from the oiled-paper window in the background.
There are whole galleries of European art, Versailles, Florence, Spain, the Vatican, Nash's Portfolio of Colored Pictures of Windsor Castle and Palace, the Royal Pitti Gallery, Munich, Dresden, and others.
The Pitti walls are so congested and so many of the pictures so difficult to see, that I propose to refer only to those which, after a series of visits, seem to me the absolute best. Let me hasten to say that to visit the Pitti gallery on any but a really bright day is folly.
As this is strictly a chapter of travel and weather, I may not stop to say how impressive and beautiful Florence seemed to us; how bewildering in art treasures, which one sees at a glance in the streets; or scarcely to hint how lovely were the Boboli Gardens behind the Pitti Palace, the roses, geraniums etc, in bloom, the birds singing, and all in a soft, dreamy air.
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