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The words were no sooner out of his mouth, than several gitanos caught him up in their arms, hoisted him upon their shoulders, and bore him along, shouting, "Long life to the great Andrew, and long life to Preciosa his beloved!"

Preciosa was present at all this, as were many other gitanas, old and young, some of whom gazed at Andrew with admiration, others with love, and such was his good humour, that even the gitanos took most kindly to him.

"I had been too much taken up with the scene," Colonel Napier continues, "the verses, and the strange being who was repeating them with so much feeling, to notice the approach of a slight female figure, beautiful in the extreme, but whose tattered garments, raven hair, swarthy complexion and flashing eyes proclaimed to be of the wandering tribe of Gitanos.

I have the materials of a curious book of travels in Spain; I have enough metrical translations from all languages, especially the Celtic and Sclavonic, to fill a dozen volumes; and I have formed a vocabulary of the Spanish Gypsy tongue, and also a collection of the songs and poetry of the Gitanos, with introductory essays. Perhaps some of these literary labours might be turned to account.

To-day very few will do more than smile when Borrow says of the Gypsies, that there can be no doubt "they are human beings and have immortal souls," and that the chief object of his book is to "draw the attention of the Christian philanthropist towards them, especially that degraded and unhappy portion of them, the Gitanos of Spain."

It would almost seem that the Gitanos and Gitanas, or male and female gipsies, had been sent into the world for the sole purpose of thieving. Born of parents who are thieves, reared among thieves, and educated as thieves, they finally go forth perfected in their vocation, accomplished at all points, and ready for every species of roguery.

The writer of a great book, however, does not occupy a position so kinglike in its loneliness as does gentleman a gypsy, round whom flock the gitanos to kiss his hand and garments as if he were a god or a hero.

He had hardly put his feet on Spanish soil than, said the Marquis of Santa Colona, he "looked round, saw some Gypsies lounging there, said something that the Marquis could not understand, and immediately 'that man became une grappe de Gitanos. They hung round his neck, clung to his knees, seized his hands, kissed his feet, so that the Marquis hardly liked to join his comrade again, after such close embraces by so dirty a company."

A common occupation of the Gitanos of Granada is working in iron, and it is not unfrequent to find these caves tenanted by Gypsy smiths and their families, who ply the hammer and forge in the bowels of the earth. To one standing at the mouth of the cave, especially at night, they afford a picturesque spectacle.

Thus it must be firmly established that from this moment Manet passed as an innovator, years before Impressionism existed or was even thought of. This is an important point: it will help to clear up the twofold origin of the movement which followed. To his realism, to his return to composition in the modern spirit, and to the simplifying of planes and values, Manet owed these attacks, though at that time his colour was still sombre and entirely influenced by Hals, Goya and Courbet. From that time the artist became a chief. As his friends used to meet him at an obscure Batignolles café, the café Guerbois (still existing), public derision baptized these meetings with the name of "L'Ecole des Batignolles." Manet then exhibited the Angels at the Tomb of Christ, a souvenir of the Venetians; Lola de Valence, commented upon by Baudelaire in a quatrain which can be found in the Fleurs du Mal; the Episode d'un combat de taureaux (dissatisfied with this picture, he cut out the dead toreador in the foreground, and burnt the rest). The Acteur tragique (portrait of Rouvière in Hamlet) and the Jésus insulté followed, and then came the Gitanos, L'Enfant