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Updated: June 12, 2025


For the sake of one fair lady he thought to stay, if perchance he might espy her. Later it was done, and according to his wish he met the maid. He rode thereafter joyfully to Siegmund's land. At all times the host bade practice knighthood, and many a youthful knight did this right gladly.

So measureless fair is the maiden of Burgundy, that the greatest emperor, were he minded to wed, were none too good for her." The tidings came to Siegmund's ear. His knights told him Siegfried's intent, and it irked him that his son should woo the royal maiden. To Sieglind, the king's wife, they told it also, and she feared for his life, for she knew Gunther and his men.

Save for Siegmund's recital of his woes, the remainder of the scene remains sullen and gloomy; Siegmund, however, has some touching passages, and notably a phrase of unearthly strangeness when he tells how he came back to his hut and found his father gone, only a wolf-skin lying there; and a bit of the Valhalla motive in the orchestra thrills one with its suggestiveness.

The time sped in merriment and sports. First, God to honour, they sang mass. Then the people pressed in hard to behold the youths dubbed knights with such pomp and high observance as we see not the like of nowadays. Then they ran where they found saddled horses. And the noise of tourney was so great at Siegmund's court that palace and hall echoed therewith, for there was a mighty din of heroes.

On Monday she was miserable because of Siegmund's silence, but there was so much of enchantment in Tintagel, and Olive and Louisa were in such high spirits, that she forgot most whiles. On Monday night, towards two o'clock, there came a violent storm of thunder and lightning. Louisa started up in bed at the first clap, waking Helena.

With French verse she had no sympathy; but Goethe and Heine and Uhland seemed to speak her language. She liked Heine best of all: As she lay in Siegmund's arms again, and he was very still, dreaming she knew not what, fragments such as these flickered and were gone, like the gleam of a falling star over water. The night moved on imperceptibly across the sky.

He gave a guilty start, and turned to the stage, where Hunding had just entered to a pompous measure. In his endeavours to understand what followed, he was aided by his companions, who prompted him alternately. But Siegmund's narration seemed endless, and his thoughts wandered in spite of himself. "Listen to this," said Dove of a sudden. "It's one of the few songs Wagner has written."

Throughout the first scene he sat sunk in his chair, his head forward and his one yellow eye rolling restlessly and shining like a tiger's in the dark. His eye followed SIEGLINDE about the stage like a satellite, and as she sat at the table listening to SIEGMUND'S long narrative, it never left her.

The sword?" questioned Mimi. "What does the voice mean?" Going nearer to the child, he saw close beside it the broken pieces of Siegmund's sword. Mimi picked up the pieces and looked at them. "The finest piece of steel I ever saw," he chuckled, as he ran his fingers carefully along the keen edges. Then he cried aloud in joy. "At last I have found the hero!

There the children were brought to her. There she wept, and stared wildly about, as if by instinct seeking to cover her mind with confusion. The good neighbour controlled matters in Siegmund's house, sending for the police, helping to lay out the dead body. Before Vera and Frank came home, and before Beatrice returned to her own place, the bedroom of Siegmund was locked.

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