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Updated: June 2, 2025


In 1840 he toured Europe, and ten years later went to London, and thence to the West Indies and the United States, where he made quite a sensation, and was a member of Jenny Lind's company. He afterwards visited San Francisco, where he got himself into difficulties on account of Lola Montes.

Smith had business in New York imperative business, he said, but I do believe it might have waited, had not Jenny Lind's first appearance taken place just then. This by the way. He went, and I was rejoiced to improve the opportunity, for it occurred precisely as I was devising some method to get myself so fairly committed to soap and brushes, that objection or interdict would be too late.

Thomas Moore's name was appended to one; Maria Edgeworth's to another; likewise Fredrika Bremer's, Jenny Lind's; also Grace Greenwood's, and I know not whose besides. This is really a pleasant method of enriching one's grounds with memorials of friends, nor is there any harm in making a shrubbery of celebrities.

'It is, however, beautiful, she said, 'that I can sing so." Every effort was made by Jenny Lind's friends and admirers to keep her in Sweden, but her genius spoke to her with too clamorous and exacting a voice to be pent up in such a provincial field.

There was the oldest Court-house in California, too, and the oldest brick house, and the oldest frame building "brought round the Horn"; the oldest theatre, glorified by Jenny Lind's singing; and, indeed, all the oldest old things to be found anywhere in history or romance.

One young lady, the daughter of a wealthy planter, was so determined to see her, that she bribed a maid to lend her her cap and apron, and let her carry in Miss Lind's tea. This incident amused Barnum immensely, but Miss Lind was much vexed, declaring the young lady's motive to be curiosity rather than admiration.

Benjamin Lumley in his "Reminiscences of the Opera," quoting an anonymous friend, relates a touching story regarding Catalani, who was born in 1779 and who retired from the stage in 1831. When Jenny Lind visited Paris in the spring of 1849 she learned to her astonishment that Catalani was in the French capital. The old singer, who resided habitually in Florence, had come to Paris with her daughter who, as the widow of a Frenchman, was obliged to go through certain legal forms before taking possession of her share of her husband's property. Through a friend of both ladies it was arranged that the two should meet at a dinner at the home of the Marquis of Normansby, the English ambassador to the Tuscan court, but the Swedish singer could not restrain her impatience and before that event she set out one forenoon for Mme. Catalani's apartment in the Rue de la Paix and sent in her name by a servant. The old singer hastened out to greet her distinguished visitor with obvious delight. She had known nothing of Mlle. Lind's presence in Paris and had feared that such a chance would never befall her, much as she had longed to see the celebrated singer who had excited the English public in a way which recalled her own past triumphs and who rivalled her in her purity and her charity. They talked together for an hour.... At the dinner the Marchioness of Normansby considerately refrained from asking Jenny Lind to sing, because no one is allowed to refuse such an invitation made by a representative of royalty. Catalani, however, had no such scruples. She went up to the Nightingale and begged her to sing, adding, "C'est la vieille Catalini qui desire vous entendre chanter, avant de mourir!" This appeal was irresistible. Jenny Lind sat down to the piano and sang Non credea mirarti and one or two other airs, including Ah! non giunge. Catalani is described as sitting on an ottoman in the centre of the room, rocking her body to and fro with delight and sympathy, murmuring, "Ah la bella cosa che la musica, quando si f

This theatre is Jenny Lind's childhood's home. Here she has sung in the choruses when a little girl; here she first made her appearance in public, and was cheeringly encouraged when a child; here, poor and sorrowful, she has shed tears, when her voice left her, and sent up pious prayers to her Maker.

"I declare I don't know but I will let you leave it with me. I'm all alone, and even a bird is company." "Jenny Lind's splendid company. Shall I put her on the table for you? There! I'll run up before supper and get her. And don't you worry, because Uncle Larry said the law doesn't say one word about birds."

Songs and musical compositions were dedicated to her, and poems were published in her honor. Day after day and week after week her doings formed the most conspicuous news in the daily journals. Some weeks before Miss Lind's arrival in America Barnum had offered a prize of two hundred dollars for the best ode, to be set to music and sung by her at her first concert.

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