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Updated: May 1, 2025
Pardon me, Dear, the errors of my Passion; It was a Sin so natural, That even thy unkindly taking it Approach'd too near it, not to gain my Pardon; But tell me why you askt me for Alcippus? Er. Phi. Thou hast restor'd me to a world of Joys, By what thou now hast said. Alcip. Erminia! and the Prince! embracing too! Er. Alcip. Yes, Madam, Too soon arriv'd for his and your repose. Phi.
Well, I must either resolve never to provoke His Jealousy, or be able to rencounter his Other fury, his Valour; that were a good Resolve if I be not past all hope. Enter Alcippus and Erminia, as in a Bed-Chamber. Alcip. But still methinks, Erminia, you are sad, A heaviness appears in those fair Eyes, As if your Soul were agitating something Contrary to the pleasure of this night. Er.
A Fate more glorious does that Life attend, And does preserve you for a nobler end. Alcip. Erminia, do not sooth my easy Heart, For thou my Fate, and thou my Fortune art; Whatever other blessings Heaven design, Without my dear Erminia, I'll decline. Yet, Madam, let me hope before I go, In pity that you ought to let me do: 'Tis all you shall allow m'impatient heart. Er.
Had he held a pencil he would have painted the Virgin of Foligno; as a sculptor, he would have chiselled the Psyche of Canova; had he known the language in which sounds are written, he would have noted the aerial lament of the sea breeze sighing among the fibres of Italian pines, or the breathing of a sleeping girl who dreams of one she will not name; had he been a poet, he would have written the stanzas of Tasso's "Erminia," the moonlight talk of Shakespeare's "Romeo and Juliet," or Byron's portrait of Haidee.
Phi. I never did obey with more regret. Alcip. How now, Erminia? How comes it you are up so late? Er. I found my self not much inclin'd to sleep; I hope 'tis no offence. Why do you look so wildly round about you? Alcip. Methinks, Erminia, you are much confus'd. Er. Alas, you cannot blame me; Isillia tells me you were much inrag'd Against a Lover she was entertaining. Alcip.
Buxton tried to do away with his thoughts of her by much talking; but every now and then he looked wistfully toward the door. Erminia exerted herself to be as lively as she could, in order, if possible, to fill up the vacuum.
But why, Erminia, must I grant it thee? Er. The Princess, Sir, questions my Power, and says, I cannot gain so much upon your Goodness. Alcip. I could have wish'd some other had oblig'd thee to't. Er. You would not blame her if you knew her reason. Alcip.
I'd rather you did not tell him I've any thoughts of coming round, that he may have a fair trial; and I'll keep it from Erminia if I can, or she will let it all out to him. I shall see you to-morrow at the coach. God bless you, my girl, and keep you on the great wide sea." He was absolutely in tears when he went away tears of admiring regret over Maggie.
There was much sorrowful bustle in the moorland cottage that day. Erminia brought up a portion of the money Mr. Buxton was to advance, with an entreaty that Edward would not show himself out of his home; and an account of a letter from Mr. Henry, stating that the Woodchester police believed him to be in London, and that search was being made for him there. Erminia looked very grave and pale.
Thou never-to-be-reclaim'd Ass, shall I never Bring thee to apprehend as thou ought'st? But I detain thee; go haste to Aminta. SCENE II. Galatea's Apartments. Enter Galatea, Aminta, and Olinda. Gal. Will Erminia come? Oli. Madam, I thought she'd been already here. Gal. But prithee how does she support this news? Oli. Madam, as those unreconciled to Heaven Would bear the pangs of death. Am.
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