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Updated: June 15, 2025


Beefsteak is not a sinful luxury!" The arpeggio accompaniment began murmuring, "But the Powers children. Nelly and 'Gene can't afford fifty cents a pound for beefsteak. Perhaps part of their little Ralph's queerness and abnormality comes from lack of proper food. And those white-cheeked little Putnam children in the valley. They probably don't taste meat, except pork, more than once a week."

The rigorous, polyphonic style of his illustrious father was succeeded by the lyrical and singing element, which, if fantastic and daring, had a sweet, bright charm very fascinating. He writes in one of his treatises: "Methinks music ought appeal directly to the heart, and in this no performer on the piano-forte will succeed by merely thumping and drumming, or by continual arpeggio playing.

All this had been the merest muted arpeggio accompaniment to the steady practical advance of her housekeeper's mind. "And beefsteak . . . Mark likes that. At fifty cents a pound! What awful prices. Well, Neale writes that the Canadian lumber is coming through. That'll mean a fair profit. What better use can we put profit to, than in buying the best food for our children's growth.

On and on travelled the melody, like the flow of a broad river; now sliding steadily through a smiling land of simple harmonies, where dwelt a people of plain tastes and solid virtues; now passing over shallows where the sun glanced and played in the brown water among the stones, as light arpeggio chords rippled up and vanished round about the melody; now entering a land of mighty stones and caverns where the echoes rang hollow and resonant, as the counterpoint began to rumble and trip like boulders far down out of sight, in subaqueous gloom; now rolling out again and widening, fuller and deeper as it went, moving in great masses towards the edge of the cataract that lies like a line across the landscape: it is inevitable now, the crash must come; a chord or two pausing, pausing; and then the crash, stupendous and sonorous.

Lise, my daughter, was sitting before a book, and the old nurse, with my youngest child, was beside the table, turning the cover of something or other. In the parlor I heard a slow arpeggio, and his voice, deadened, and a denial from her. She said: 'No, no! There is something else! And it seemed to me that some one was purposely deadening the words by the aid of the piano. "My God!

Her little claw swept the chords with Courage and precision, and struck out the notes of the arpeggio clear, and distinct, and bright, like twinkling stars; but the main charm was her voice. It was not mighty, but it was round, clear, full, and ringing like a bell. She sang with a certain modest eloquence, though she knew none of the tricks of feeling.

"Let's see;" she calculated; "ore is $10 a ton; 20 tons to a car; say one locomotive hauls 25 cars. Well, there you have it: a trainload of iron ore, to pay for this!" she snapped a thumb and finger against the canvas. Blair jumped then ran his right hand up the keyboard in a furious arpeggio. But he said nothing. Mrs. Maitland, moving away from the picture, blew out her lips in a loud sigh.

And its Yankee equivalent is "sucker." The French, as the world knows, are a kindly, forgiving people; and though they cast the epithet, they do so in manner tolerant and with light arpeggio of Yankee sneer and bitterness containing not a trace. They cast it as one casts a coin into the hand of some maundering beggar, with commingled oh-wells and philosophical pity.

It is to him we owe the extension of chords, struck together in arpeggio, or en batterie; the chromatic sinuosities of which his pages offer such striking examples; the little groups of superadded notes, falling like light drops of pearly dew upon the melodic figure.

To a great flare of the Negroid music, the row of twenty-four suddenly turned turtle, and prone on a strip of rug, heads to audience and faces to ceiling, twenty-four pairs of legs, ankleted in bells, kicked up a syncopated melody. From a Niagara of lace, insteps quivered an arpeggio. A chromatic scale bounced off a row of rapidly pointing toes.

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