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Young and over-strained, I suffered painfully under the contact with external things which my vocation as a musician brought with it, and which wounded me all the more intensely that my heart at this time was filled entirely with the mystical feelings of love and religion." Of course the gifted young pianist's connection grew rapidly.
Their talk wilted. Both of them played with their knives a good deal. Morton built a set of triangles out of toothpicks while pretending to give hushed attention to the pianist's rendition of "Mammy's Little Cootsie Bootsie Coon," while Mr. Wrenn stared out of the window as though he expected to see the building across get afire immediately.
The pianist's repertoire was limited: half a dozen ding-dong chords did duty as accompaniment to "Bantry Bay," "John Peel," and "The Chinese Bumboatman" alike; but a dozen lusty voices supplied melody enough, the singers packed like herrings round the piano, leaning over each other's shoulders, and singing with all the strength of their lungs.
On the other hand the Verdurins were extremely touched by Swann's next request, for he felt that he must ask to be introduced to the pianist's aunt. She wore a black dress, as was her invariable custom, for she believed that a woman always looked well in black, and that nothing could be more distinguished; but her face was exceedingly red, as it always was for some time after a meal.
Alkan related to me that Chopin did not even read George Sand's works which is difficult to believe and that Pierre Leroux, who liked Chopin and always brought him his books, might have found them any time afterwards uncut on the pianist's table, which is not so difficult to believe, as philosophy and Chopin are contraries.
Less than a minute later, Emanuel's voice cracked again. This time he turned even more deliberately to the pianist. He was pained. He stared during five complete bars at the back of the pianist, still continuing his confession. He wished the audience to understand clearly where the blame lay. Finally, when he thought the pianist's back was sufficiently cooked, he faced the audience.
M. Rachmaninoff then requested a second conference. In the mean time he had had the better part of the manuscript translated into his native Russian. However, in order to insure accuracy in the use of words, the writer translated the entire matter back into German in the pianist's presence. M. Rachmaninoff did not speak English and the writer did not speak Russian.
She began to ask herself whether these gesticulations might not, perhaps, be a necessary concomitant of the piece of music that was being played, a piece which, it might be, was in a different category from all the music that she had ever heard before; and whether to abstain from them was not a sign of her own inability to understand the music, and of discourtesy towards the lady of the house; with the result that, in order to express by a compromise both of her contradictory inclinations in turn, at one moment she would merely straighten her shoulder-straps or feel in her golden hair for the little balls of coral or of pink enamel, frosted with tiny diamonds, which formed its simple but effective ornament, studying, with a cold interest, her impassioned neighbour, while at another she would beat time for a few bars with her fan, but, so as not to forfeit her independence, she would beat a different time from the pianist's.
This time he ceased absolutely to follow Rubinstein's harmony, and, retaining simply the melody, changed, however, to a minor key, he produced an odd, rhythmical little series of syncopations so rich, so strange, and withal so unlawful that when, omitting the conventional cadenza, he plunged into a coda of his own, Rubinstein flew furiously to the piano and would have struck the youth's hands from the keys but for a gesture from her Highness so imperious and so unmistakable that the great pianist's angry protests died upon his lips, and he joined, perforce, in the tumult of applause that ended the unparalleled performance.
Smithson crept gently into the fauteuil just behind hers, and leant over the back of the chair to whisper an inquiry as to her opinion of the pianist's style. 'She is exquisite, Lesbia murmured softly, but the whispered question and the murmured answer, low as they were, provoked indignant looks from a brace of damsels in Venetian red, who shook their Toby frills with an outraged air.
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