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Gratian, Causa, 30, Quaest. 5, c. 9 Friedberg, i, p. 1107. Gratian, Causa, 28, Quaest. i, c. 17 Friedberg, i, p. 1089: illorum vero coniugia, qui contemptis omnibus illis solempnitatibus solo affectu aliquam sibi in coniugem copulant, huiuscemodi coniugium non legitimum, sed ratum tantummodo esse creditur. Sessio xxiv, cap. i De Reformatione Matrimonii.
'You're a bright boy a most remarkably bright boy! drawled the American, 'an' I guess you'll pick up a heap o' knowledge afore you die out, but up to now you don't know much about Solo. He kin ride like the devil, an' fight like the hosts of hell, an' he's ez full o' tricks ez a pum'kin's full o' pips. I tell you, Amurka's proud of her son.
The second shows the same music as arranged for solo voice and lute by Franciscus Bossinensis as found in a collection published by Petrucci in 1509. How far removed this species of lyric solo was from the dramatic recitative of Peri and Caccini is apparent at a single glance.
There was another sensation in an audience when the pastor of the log church brought in his wife, for naught so fair and sweet had ever gladdened their rustic eyes before. The singing that day was mostly solo, or at least, duets. Her pure, birdlike voice filled the church, and what could they do but listen, wondering meanwhile whether it might not be a lark, or an angel come down for a season.
The little lads especially led the programme; and the others remembered Willie singing for them, as a solo, a childish favourite called "Bring Them In." It was just about seven o'clock in the evening. The boat was well out in the bay, between three and four miles from land, when John noticed a fresh "cat's-paw" of wind, just touching the water here and there.
The artist who feels beauty keenly and deeply and whose mechanical equipment allows him to make others feel and share the beauty he himself feels is in my opinion worthy of being called a master of the violin." Alexander Saslavsky is probably best known as a solo artist, as the concertmaster of a great symphonic orchestra, as the leader of the admirable quartet which bears his name.
'E solo in parte vidi 'l Saladino. Among them he also saw the Moslem Saladin, the conqueror of the Christians. If any one possessed the key of the mysteries of the other world, Elizabeth, it was Dante. He assigned a lofty place to the pagan, who was a true man a man with a pure mind, a zeal for goodness and right, and I think I shall have a place there too. Courage, Elizabeth, courage!"
He knew that he himself could have made a much better speech on the subject, but he would not want to. He would hate it, talking about sacred things like that out to the world; yet he was frank enough to see that a better speech might not have been so acceptable to God as this halting one full of repetition and crudities. The girl up by the piano was singing the solo.
He bowed before her, almost as he had, in bygone days, bowed low before an appreciative audience. Was not this, as much as ever any solo on the flute had been, a triumph of high art? And more! Was it not the triumph of his love for Anna over, first, this hard-souled, little-minded Mrs. Vanderlyn, and, second, the last selfish impulse lingering within his own unselfish soul?
This is evident! When, after three bars of introduction, the theme, lightly rocking in the bass solo, enters in the fourth, this theme is nevertheless made use of throughout the whole fabric only as an accompaniment, and on this the cantilena in two parts is laid; we have thus a continuous, tender dialogue. Both Lenz's first and last impressions were correct.
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