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"Le vrais Dieux se regarda, Et li a dit qu'e n'i tarda, Icist ne t'atenderont pas, Mais saces, tu m'atenderas."
Lessing has, with the most irresistible and victorious wit, pointed out the ludicrous nature of the very plans of Rodogune, Semiramis, Merope, and Zaire. The lines with which Theseus in the Oedipus of Corneille opens his part, are deserving of one of the first places: Quelque ravage affreux qu'etale ici la peste L'absence aux vrais amans est encore plus funeste.
Je suis alle hier a Manchester ou j'avais a faire; j'y ai vu quelques tableaux et je suis de plus en plus convaincu que la meilleure chose pour moi est de peindre plutot dans le genre des vrais peintres Francais que dans celui de nos Pre-Raphaelites, ces realistes impitoyables qui ne nous epargnent pas un brin de gazon." This letter contains a strong proof of his mind's artistic evolution.
That one was finished with Vrais that is to say Vrais was not needing then to be one coming sometime to be then a faithful one. Vrais was not needing then to be a faithful one for that one who had been one who had said that Vrais was a faithful one.
Vrais was a faithful one that is to say he was not always coming when he might have been pleasantly coming to be being that one being a faithful one but he was one who had come and had been then a faithful one and had come again sometime and had been then a faithful one. The one who was finishing then with him was one who had said that Vrais was a faithful man.
Vrais listens and he being Vrais when he has listened he says good good, excellent. Vrais listens, he being Vrais, he listens. Anything is two things. Vrais was nicely faithful. He had been nicely faithful. Anything is two things. He had been nicely faithful. In being one he was one who had he been one continuing would not have been one continuing being nicely faithful.
What a wonderful gauge of his own value as a scientific critic does he afford, by whom we are informed that phrenology is a great science, and psychology a chimæra; that Gall was one of the great men of his age, and that Cuvier was "brilliant but superficial"! How unlucky must one consider the bold speculator who, just before the dawn of modern histology which is simply the application of the microscope to anatomy reproves what he calls "the abuse of microscopic investigations," and "the exaggerated credit" attached to them; who, when the morphological uniformity of the tissues of the great majority of plants and animals was on the eve of being demonstrated, treated with ridicule those who attempt to refer all tissues to a "tissu générateur," formed by "le chimérique et inintelligible assemblage d'une sorte de monades organiques, qui seraient dès lors les vrais éléments primordiaux de tout corps vivant;" and who finally tells us, that all the objections against a linear arrangement of the species of living beings are in their essence foolish, and that the order of the animal series is "necessarily linear," when the exact contrary is one of the best-established and the most important truths of zoology.
Vrais is some one with whom some one is almost finished and that is not surprising and that is not exciting although the one finished with him is one who has said of him said of Vrais that he was a faithful one.
"La jouissance et les desirs Sont ce que l'homme a de plus rare; Mais ce ne sons pas vrais plaisirs Des le moment qu'on les separe." I have translated this epigram into Italian and Latin; in the latter language I was almost able to render Lafontaine line for line; but I had to use twenty lines of Italian to translate the first ten lines of the French.
The objects of private adoration are the mother, the wife, and the daughter, representing severally the past, the present, and the future, and calling into active exercise the three social sentiments, veneration, attachment, and kindness. We are to regard them, whether dead or alive, as our guardian angels, "les vrais anges gardiens."
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