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Updated: June 24, 2025
"You know all the police," I remarked. "Do you know any turnkeys?" He reflected an instant, and then replied, artlessly "I don't jin many o' them. But I can jist tell you a story. 'I'm glad to see you're earnin' a 'onest livin' for once, says he.
I comed by the gal 'onest enough, an' she never comed to no 'arm through me, less mendin' 'er does for 'er, and bringin' 'er to London, and bein' a mother to 'er, an' givin' 'er a few baskets an' matches to sell is a-doin' 'er any 'arm. An' as to beggin' she would beg, she loved to beg an' say texes. 'Old kidnapper! I cried, maddened by the visions that came upon me.
With the Italian conception of Onore we may compare their view of Onest
Moreover, in Amarilli, Guarini created one really dramatic character and devoted to it one really dramatic scene. His heroine is probably the best character to be found in the whole of the pastoral drama, and this simply because there is a reason for her coldness towards the lover, upon her love to whom the plot depends. Unless love is to be mutual the motive force of the drama fails, and consequently, when nymphs insist on parading their inhuman superiority to the dictates of natural affection, they are simply refusing to fulfil their dramatic raison d'être. With Amarilli it is otherwise. She has the right to say: Ama l' onest
Onest before the mornin' light The Horseman will come ridin' Roun' an' roun' the Fairy Lough, An' no one there to see. But there will be some one there, and that is the aforesaid Jamesy Flanigan! Sometimes I think he is fibbing, but a glance at his soft, dark, far-seeing eyes under their fringe of thick lashes convinces me to the contrary.
"He c'u'd 've wrote that letter to himself.... He's wise enough.... Yeh can't fool Hickey all the time.... I'll get him yet. Gottuh make good 'r it's the sidewalks f'r mine.... Me, tryin' hard to make an 'onest livin'.... 'Nd him with all kinds of money!" The fat mottled fingers sought a waistcoat pocket and, fumbling therein, touched caressingly a little pellet of soft paper.
Perhaps you'll explain how there's no harm breakin' into unoccupied 'ouses?" "Gorblimy, 'ow was I to know? 'Ere's a toff 'ands me sixpence fer hopenin' 'is cab door to-dye, an', sezee, 'My man, 'e sez, 'yer've got a 'onest fyce. W'y don'cher work? sezee.
Bell suddenly put down her apron. 'Yo're cold and drenched, said she. 'Come near to t' fire and warm yo'rsel'; yo' mun pardon us if we dunnot think on everything at onest. 'Yo're very kind, very kind indeed, said Hester, touched by the poor woman's evident effort to forget her own grief in the duties of hospitality, and loving Bell from that moment.
'I've always wanted to go on that there trip, but I've never 'ad the ready at the right time of the year. 'Boolong is a town like London, said Cyril, well meaning, but inaccurate, 'how could you get a living there? The burglar scratched his head in deep doubt. 'It's 'ard to get a 'onest living anywheres nowadays, he said, and his voice was sad.
Och! shure I'm only a weather-washed, worn-out old salt, 'ardly worth savin'. Go now, off wi' ye at onest. The water'll be over ye, if ye stand 'eer tin minutes longer." The three youths scrutinised each other's faces, as far as the darkness would allow them. Each tried to read in the countenances of the other two some sign that might determine him.
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