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Updated: June 16, 2025
The dreamily brooding look of the river, the circling of the jackdaws, and the sight of the horse make him drowsy. One hour passes, a second, and still Seryozhka does not come. The river has long been swept and a box brought to sit on, but the drunken fellow does not appear. Matvey waits and merely yawns. The feeling of boredom is one of which he knows nothing.
The verger Matvey set before him a little table with the memorial food upon it, and a little later the requiem service began. There was perfect stillness in the church. Nothing could be heard but the metallic click of the censer and slow singing.... Near Andrey Andreyitch stood the verger Matvey, the midwife Makaryevna, and her one-armed son Mitka. There was no one else.
Matvey sat up a good time longer he was not sleepy and when he had finished the last page he took a pencil out of a box and wrote on the book: "I, Matvey Terehov, have read this book, and think it the very best of all the books I have read, for which I express my gratitude to the non-commissioned officer of the Police Department of Railways, Kuzma Nikolaev Zhukov, as the possessor of this priceless book."
In his hands there is a heavy crowbar. "Well, are we going to stand like this till evening with our arms folded?" says Seryozhka, breaking the silence and turning his angry eyes on Matvey. "Have you come here to stand about, old fool, or to work?" "Well, you . . . er . . . show me . . ." Matvey mutters, blinking mildly. "Show you. . . . It's always me: me to show you, and me to do it.
The soupe Marie-Louise was a splendid success; the tiny pies eaten with it melted in the mouth and were irreproachable. The two footmen and Matvey, in white cravats, did their duty with the dishes and wines unobtrusively, quietly, and swiftly. On the material side the dinner was a success; it was no less so on the immaterial.
The white church peeps out genially from behind the huts scattered on the river bank. Jackdaws are incessantly circling round its golden crosses. On one side of the village where the river bank breaks off and is steep a hobbled horse is standing at the very edge, motionless as a stone, probably asleep or deep in thought. Matvey, too, stands motionless as a statue, waiting patiently.
Reckoning with the beads in Matvey's room, he asked for money; said he could not go on living at Progonnaya, and several times repeated in a tone of voice that sounded as though he were just going to cry: "Where am I to go? Where am I to go now? Tell me that, please." Then Matvey went into the kitchen and began peeling some boiled potatoes which he had probably put away from the day before.
She uttered a shriek, snatched up the bottle of Lenten oil and with all her force brought it down straight on the skull of the cousin she hated. Matvey reeled, and in one instant his face became calm and indifferent. "Let him rot, the factory buck!" Aglaia brought out with repulsion, still keeping the iron in her hand.
Seryozhka, a short-legged, ragged, mangy-looking fellow of thirty, stares angrily at the ice. Tufts of wool hang from his shaggy sheepskin like a mangy dog. In his hands he holds a compass made of two pointed sticks. Matvey, a fine-looking old man in a new sheepskin and high felt boots, looks with mild blue eyes upwards where on the high sloping bank a village nestles picturesquely.
"On the table," replied Matvey, glancing with inquiring sympathy at his master; and, after a short pause, he added with a sly smile, "They've sent from the carriage-jobbers." Stepan Arkadyevitch made no reply, he merely glanced at Matvey in the looking-glass. In the glance, in which their eyes met in the looking-glass, it was clear that they understood one another.
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