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Encyclical of October 27, 1901. In The Programme of Modernism, and Quello che vogliamo. The Programme of Modernism, p. 16. The Programme of Modernism, pp. 50-54. Loisy, Simples Réflexions, p. 168. Ibid. L'Évangile et l'Église, pp. 3-5. Ibid. Les Évangiles Synoptiques, p. 119. Ibid. Ibid. p. 143. Ibid. pp. 138, 139. Ibid. p. 104. Loisy, Les Évangiles Synoptiques, p. 166. Ibid. p. 169. Ibid.

It began in the region of ecclesiastical history, and soon passed to biblical exegesis, where the new heresy was at first called 'concessionism, The scope of the debate was enlarged with the stir produced by Loisy's 'L'Évangile et l'Église' and 'Autour d'un Petit Livre'; it spread over the field of Christian origins generally, and problems connected with them, such as the growth of ecclesiastical power and the evolution of dogma.

La medisante Envie, est assise aupres d'elle, Vieil spectre feminin, decrepite pucelle, Avec un air devot dechirant son prochain, Et chansonnant les Gens l'Evangile a la main. Sur un lit plein de fleurs negligemment panchee Une jeune beaute non loin d'elle est couchee, C'est l'Affectation qui grassaie en parlant, Ecoute sans entendre, et lorgne en regardant.

L'autre, devisé en deux livres, par commémoration des deux épées dont il est mention dans l'Evangile, sous-divisé en douze chapitres

From this pack she took out two nicely bound books with a cross engraved on the cover, and offered them to Stepan Trofimovitch. "Et... mais je croisque c'est l'Evangile... with the greatest pleasure.... Ah, now I understand.... Vous etes ce qu'on appelle a gospel-woman; I've read more than once.... Half a rouble?" "Thirty-five kopecks," answered the gospel-woman. "With the greatest pleasure.

The clergy and the fair sex presented the most attractive target for the shots of the satirists. A few pieces of political satire show us French and English exchanging amenities on their mutual shortcomings. Gaston Paris: Trois versions rimées de l'évangile de Nicodème, Soc. Anc. Dramatic Literature.

When, in his Méditations sur l'Evangile or his Elévations sur les Mystères, Bossuet unrolls the narratives of the Bible or meditates upon the mysteries of his religion, his language takes on the colours of poetry and soars on the steady wings of an exalted imagination. In his famous Oraisons Funèbres the magnificent amplitude of his art finds its full expression.

Her important works are in part the illustrations of "The Little Princess," "The Magic Grammar," "La Belle Dame sans Merci," "L'Evangile de l'Enfance," "The Romance of the Swan's Nest," etc. She also makes exquisite designs for book-covers, which have the spirit of the book for which they are made so clearly indicated that they add to the meaning as well as to the beauty of the book.

L'Evangile... voyez-vous, desormais nous precherons ensemble and I will gladly sell your beautiful little books. Yes, I feel that that perhaps is an idea, quelque chose de tres nouveau dans ce genre. The peasants are religious, c'est admis, but they don't yet know the gospel.

A. "Because man is not strong enough to keep them." And another. Q. "Pourquoi l'homme ne lit pas l'Evangile?" R. "Parce que l'esprit de l'homme est trop borne et trop faible pour comprendre qu'est ce que Dieu a ecrit." Q. "Why are men not to read the New Testament?" A. "Because the mind of man is too limited and weak to understand what God has written."