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Updated: June 10, 2025


He was surprised to see her going out in full dress at ten o'clock in the morning. "Hallo! Where are you off to?" he asked. She pretended that she was going out with Madame Taboureau, and added that she would call at the Gaite Theatre to buy some tickets. Quenu hurried after her to tell her to secure some front seats, so that they might be able to see well.

They had already read the journals and knew that the poem had been applauded at the Gaite, and that it had at once been printed on the first page of the journal; and they were all so pleased, so glad, that they kissed Amedee on both cheeks.

The climax, with its abortive love episode, is anything but satisfactory. Pamela Giraud, a drama in five acts, was first presented in the Gaite Theatre, Paris, September 26, 1843. It was published by Marchand in a single octavo volume, in the same year.

"Quand on perd, par triste occurrence, Son esperance Et sa gaité, Le remède au mélancolique C'est la musique Et la beauté. Plus oblige et peut davantage Un beau visage Qu'un homme armé, Et rien n'est meilleur que d'entendre Air doux et tendre Jadis aimé!" It haunted him after he had gone to rest, and for once he did not mind wakefulness. A week passed.

But the catastrophes of this great day were to cast all previous events into the shade, and supply an inexhaustible topic of conversation for Mme. Vauquer and her boarders so long as she lived. In the first place, Goriot and Eugene de Rastignac both slept till close upon eleven o'clock. Mme. Vauquer, who came home about midnight from the Gaite, lay a-bed till half-past ten.

Niecks gives specimens of what the ingenious publisher, without a sense of humor, did with some of Chopin's compositions: Adieu a Varsovie, so was named the Rondo, op. 1; Hommage a Mozart, the Variations, op. 2; La Gaite, Introduction and Polonaise, op. 3 for piano and 'cello; La Posiana what a name! the Rondo a la Mazur, op. 5; Murmures de la Seine, Nocturnes op. 9; Les Zephirs, Nocturnes, op. 15; Invitation a la Valse, Valse, op. 18; Souvenir d'Andalousie, Bolero, op. 19 a bolero which sounds Polish!

The red-faced woman stood with her hands on her hips looking at him in astonishment, while he laughed and laughed. "Mais quelle gaite, quelle gaite," she kept saying. The straw under him rustled faintly with every sleepy movement Andrews made in his blankets.

Ten days after Amedee's meeting with Jocquelet, the latter recited his poem "Before Sebastopol" at a magnificent entertainment given at the Gaite for the benefit of an illustrious actor who had become blind and reduced to poverty. This "dramatic solemnity," to use the language of the advertisement, began by being terribly tiresome.

They have all fine white Teeth, and for the most part short flat Noses and thick lips; yet their features are agreeable, and their gaite graceful, and their behavior to strangers and to each other is open, affable, and Courteous, and, from all I could see, free from treachery, only that they are thieves to a man, and would steal but everything that came in their way, and that with such dexterity as would shame the most noted Pickpocket in Europe.

Presently, after emptying a glass of champagne, he gave vent to the following profoundly regretful phrase: "Ah, if only I were a woman! But, by God, that's nothing! Would you like to go on the stage again? I've a notion: I'll hire the Gaite, and we'll gobble up Paris between us. You certainly owe it me, eh?"

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