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Updated: June 25, 2025


Nana, far from being vexed, laughed tenderly and said that unfortunately this was not the case. She would very much have liked it, both for the little one's sake and for her own, but perhaps one would arrive all the same. Fontan, in his role of honest citizen, took Louiset in his arms and began playing with him and lisping. "Never mind! It loves its daddy! Call me 'Papa, you little blackguard!"

There's no sense in it. And it's so simple, after all's said and done! You, Fontan, mustn't move. You, Rose, must make your little movement, just that, no more; d'ye see? And then you come down. Now then, let's get it done this journey. Give the kiss, Cossard." Then ensued confusion. The scene went no better than before.

Sitting up side by side, with the bedclothes pulled up in front and the pillows piled up behind, they supped and talked about the little woman. Nana thought her plain and lacking in style. Fontan, lying on his stomach, passed up the pieces of cake which had been put between the candle and the matches on the edge of the night table. But they ended by quarreling.

Yet though they did not say so, they preferred the days when threshings were, so to speak, in the air, for then their comfortable indignation was all the stronger. They became inseparable. Yet Satin never went to Nana's, Fontan having announced that he would have no trollops in his house. They used to go out together, and thus it was that Satin one day took her friend to see another woman.

He informed her that Bordenave was busy mounting a play of Fauchery's containing a splendid part for her. "What, a play with a part!" she cried in amazement. "But he's in it and he's told me nothing about it!" She did not mention Fontan by name. However, she grew calm again directly and declared that she would never go on the stage again.

In order to give some return for his dinner he used always to go into ecstasies over their happiness. He declared himself a philosopher who had given up everything, glory included. At times Prulliere and Fontan lolled back in their chairs, losing count of time in front of the empty table, while with theatrical gestures and intonation they discussed their former successes till two in the morning.

He was certainly not alone, for Nana perceived the little woman from the Bouffes with the untidy tow hair and the gimlet-hole eyes, standing enjoying herself in her shift among the furniture she had paid for. But Fontan stepped out on the landing. He looked terrible, and he spread out and crooked his great fingers as if they were pincers. "Hook it or I'll strangle you!"

Revolving these matters, Nana at length reached her home in the Rue Veron and was taken aback on observing a light in the window. Fontan had come home in a sulk, for he, too, had been deserted by the friend who had been dining with him. He listened coldly to her explanations while she trembled lest he should strike her.

I've got company." And with a brisk movement she flung wide the bedroom door. Whereupon in the middle of the tumbled bed the two men caught sight of Fontan. He had not expected to be shown off in this situation; nevertheless, he took things very easily, for he was used to sudden surprises on the stage.

Bosc contented himself by dining with them as often as possible. He shrugged his shoulders behind Prulliere's back a pretty fellow, to be sure, but a frivolous! Bosc had on more than one occasion assisted at domestic scenes, and at dessert, when Fontan slapped Nana, he went on chewing solemnly, for the thing struck him as being quite in the course of nature.

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