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Deh vieni alla finestra! sings Palmy-Leporello; the chorus answers: Deh vieni! Perchè non vieni ancora? pleads Leporello; the chorus shouts: Perchè? Mio amu-u-u-r, sighs Leporello; and Echo cries, amu-u-u-r! All the wooing, be it noticed, is conducted in Italian. But the actors murmur to each other in Davoser Deutsch, 'She won't come, Palmy! It is far too late; she is gone to bed.
Anything that runs easy I can play." He played the preliminary notes of the accompaniment of Deh vieni alla finestra. "Anything like that. But I can't tackle anything extensive. My hands haven't quite got strong again, I suppose. Now you come!"
On the right of the drive a thick maple tree cast a deep shadow, but beyond it a pool of clear moonlight extended to the house. He started forward, but Janin dragged him into the gloom of the maple. "Sing here," he whispered in the boy's ear; "see, the window Deh vieni alla finestra." Harry Baggs stood at the edge of the shadow; his throat seemed to thicken, his voice expire.
That had become the informal title by which the servants announced a guest who was let in so very frequently. Aurora understood finestra, window, and dire una parola, to say a word, and then that the signorino was giù in giardino. "All right." Aurora nodded to the Ildegonda, inviting her by a motion of the hand to go away again.
Dressed as Finestra, a Celtic witch woman, Leila made a striking figure in her white and green robes as she sat on the low wall bench, hands loosely clasped over one knee, her vivid features alive with disapproval. "I don't know. Nothing, I guess." Marjorie smiled into Leila's moody face. "It will scare them worse just to leave them in doubt as to whether or not they will be called to account.
I've been getting confused lately; I don't seem to keep a direction like I could. From Don Giovanni: 'Deh vieni alla finestra' 'Come to the window' 's about it. I'm glad you're not a tenor; they're delicate and mean. But you are a fine boy, Harry; you'll take the old man up along with you!" He talked in a rapid faint voice, like his breathing.
Baggs exclaimed, burning with impatience, balked desire; he half carried him brusquely to his bed. Yet, under the old man's fluctuating tuition, he actually began the Serenade within twenty-four hours. "Deh vieni alla finestra," French Janin pronounced. "Deh vieni " Harry Baggs struggled after him.
The damo for so a sweetheart is termed in Tuscany trembles until he has gained the approval of his future mother-in-law, and forbids the girl he is courting to leave her house to talk to him at night: Dice che tu tì affacci alia finestra; Ma non tì dice che tu vada fuora, Perchè, la notte, è cosa disonesta. All the language of his love is respectful.
Then the libertine, in the habit of his valet, serenades his new charmer. The song, "Deh vieni alla finestra," is of melting tenderness and gallantry; words and music float graciously on the evening air in company with a delightfully piquant tune picked out on a mandolin.
Wider, il quale e un galant' uomo come lei melo scrisse, ed jeri abbiamo finito il carnavale da lui, cenardo da lui e poi ballammo ed andammo colle perle in compagnie nel ridotto nuovo, che mi piacque assai. Quando sto dal Sign. Wider e guardando fuori della finestra vedo la casa dove lei abito quando lei fu in Venezia. Il nuovo non so niente. Venezia mi piace assai.
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