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Updated: June 1, 2025
I am resolv'd I will not to the Camp, A secret inclination does persuade me To visit my Erminia to night. Pis. Comes it from Love or Jealousy? Alcip. The first, good faith, Pisaro; thou'rt so fearful You shall to th'Camp before, And I'll be with you early in the Morning. Pis. Give me your hand, and promise to be calm. Alcip. Pis. I will not trust you though. SCENE III. The Court Gallery.
Tasso, whose design was regular, and who observed the roles of unity in time and place more closely than Virgil, yet was not so happy in his action: he confesses himself to have been too lyrical that is, to have written beneath the dignity of heroic verse in his episodes of Sophronia, Erminia, and Armida.
In addition to his imperiousness, he had learned to affix the idea of cleverness to various artifices and subterfuges which utterly revolted her by their meanness. "You are so set up, by being intimate with Erminia, that you won't do a thing I tell you; you are as selfish and self-willed as" he made a pause. Maggie was ready to cry. "I will do anything, Ned, that is right."
Ah, Sir, the late Petition which I made you Might have inform'd you why these Knees are bow'd; 'Twas but this night I did confess I lov'd him, And you would have allow'd that Passion in me, Had he not been Erminia's: And can you question now what this Address meant? Org. Remember, Sir, Erminia was my Daughter. Gal. And, Sir, remember that I am your Daughter. Org.
Without on the Stage, Philander with his Sword half drawn, held by Galatea, who looks ever on Alcippus: Erminia still fixing her Eyes on Philander; Pisaro passionately gazing on Galatea: Aminta on Fallatio, and he on her: Alcander, Isillia, Cleontius, in other several postures, with the rest, all remaining without motion, whilst the Musick softly plays; this continues a while till the Curtain falls; and then the Musick plays aloud till the Act begins.
She lov'd me too, yes, and repaid my flame, As kindly as I sacrific'd to her: The first salute we gave were harmless Love, Our Souls then met, and so grew up together, Like sympathizing Twins. And must she now be ravish'd from my Arms? Will you, Erminia, suffer such a Rape? What though the King have said it shall be so, 'Tis not his pleasure can become thy Law, No, nor it shall not.
By all the Gods, Alcippus I do hate, And would do any thing to change my fate; Ought that were just and noble I dare do. Gal. Enough, Erminia, I must credit you, And will no other proof of it require, But that you'll now submit to my desire; Indeed, Erminia, you must grant my suit, Where Love and Honour calls, make no dispute.
I was Eucharis for Telemachus, and Erminia for Tancred. However, during this perfect transformation, I did not yet think that I myself was anything, for any one: the whole had no connexion with myself. I sought for nothing around me; I was they; I saw only the objects which existed for them; it was a dream, without being awakened."
Who calls my Lady? Pis. Where's my Sister? Lys. Pis. I do believe it, good night, Lysette. Who's there? Pis. Where hast thou been? I wanted thee but now. I fell asleep i'th' Lobby, Sir, and had not waken'd Yet, but for the Musick which plays at the Lodgings Of my Lady Erminia. Pis. Curse on them; will they not allow him nights to himself; 'tis hard.
SCENE I. The Palace. Enter Philander and Galatea inrag'd. Phi. 'Tis done, 'tis done, the fatal knot is ty'd, Erminia to Alcippus is a Bride; Methinks I see the Motions of her Eyes, And how her Virgin Breasts do fall and rise: Her bashful Blush, her timorous Desire, Adding new Flame to his too vigorous Fire; Whilst he the charming Beauty must embrace, And shall I live to suffer this Disgrace?
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